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Doing a Live Recording, Need Suggestions On Drum Mics

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So, Im doing a small live recording in a couple weeks. When I say small, it'll be just drums, keyboards, guitar, bass, and sax. For drums, I have and AKG D112, Shure Beta 57 and Shure 57, Shure SM81, and a BeyerDynamics M 201 TG. The Drum Kit I will be recording will have a kick, snare, hi -hat, 2 toms, and cymbals.

Suggestions for inexepensive drum overhead mics

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So; I have around $300-400 that I can spend on purchasing some drum overheads for my home studio. I'd like to replace the cheap MXL 603's that I've been using with, I guess, "less" cheap ones. I've been reading some interesting things on different sites about the Avantone CK-1's and the Kel KM-1's.

Need help: Drum recording with condenser mics

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Hello experts,

Im new to the world of drum recording and wondering about whether or not to keep using condenser mics. I find them brighter and more sensible to transients, hence picking up a cleaner sound, but when I use a lot of condensers together the madness begins. Bleeds mostly. Which make editing near to impossible.

My drum mics

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I finally can record stereo drums but need some advice on which specific mic to put where. I have anSM58, a Sennheiser e835, an MXL 990, and an MXL 991 condenser. I have an ATM 25 on the kick, so that's taken care of. Just trying to figure out which mics should be left and right, which one I should put on my rack toms, and if I should put one directly overhead or on the snare. Please help!

Stereo drum micing

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I finally can record stereo drums but need some advice on which specific mic to put where. I have anSM58, a Sennheiser e835, an MXL 990, and an MXL 991 condenser. I have an ATM 25 on the kick, so that's taken care of. Just trying to figure out which mics should be left and right, which one I should put on my rack toms, and if I should put one directly overhead or on the snare. Please help!

If you had to record a drum set using only two mics...

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Let's say it is a basic nothing special drum set (drummers don't kill me) and you had to mic it up but you only had two SM57s and two channels to work with, how would you do it? Would you put one mic on the kick and one mic on the snare and let the rest of the set bleed over.