I'm using a field recording of speech that was recorded in a very bright lively room. There's a lot of this room sound on the recording and wonder if anyone has some recommendations for getting rid of some of that room sound and retaining a pretty "natural" sound. In other words, I'm trying to make a very "roomy" recording sound deader.
Thanks.
Blacklab

Not really sure if this is the right forum, although i do use Ableton and CoolEdit Pro as my primary editing and recording tools My current challenge is this. I have been trying to edit a field recording of a loved one that was recorded in a moving car.

Hey guys, I posted this topic a while back, just re-posting to hear some more suggestions..

Hey guys, I'm looking to purchase a field-recording microphone, (or two for stereo). My main purpouse is to use it for field-recording purpouses, probably mostly indoors, and close-miked... Something multi-purpouse, direction... yet sturdy and good quality sound out of it.

Any suggestions?

Thanks!

hi,

I was wondering what's the best mic for doing field recording? I already own some studio projects mics (c3, t3, lsd2) can I just use these mics to do field recordings?

I am mainly looking for mics for doing field sound effects recordings, any recoomedation will be greatly appreciate it!

thanks!

Marantz CDr300 (for 16bit/44.1) - 599$
+ (RPS300 battery pack) - $160
+ Carry Bag (porta brace doesnt seem to have a case for the CDr300, know of any?) - ?$

AKG se300b + ck 98 - 259$ + 199$
+ Windscreen - 30-60$

Shure sm57 x 2 for dyamic and stereo uses(Although a 20-20 would be prefered) - 160$

Wired boom - 300$

300$ MAX (less would be nice)
resp: 20hz-20k
pat: hyper cardioid or super.

Also could you recommend a 200$ MAX omni or stereo cardioid for recording ambience?

:p: