This is where I spent much of the last two days. I can admit being a little nervous having my mixes scrutinized in a room like this, but it all seemed to work out okay.

I would like to know what you all think about this: which, in your opinion, is the best workflow for mastering an album:

1 - 2 tracks (as traditionally compares to a game of chess);
2 - each song in its own track, so the project will have much more than 2 tracks (usually 10 or more tracks)

Without having made the retail market with any of my recordings I've done over the years, the mix demos I put online are essentially the only way potential clients are gonna hear my work.

I'm planning on possibly re mixing some old stuff, and a couple new things, to make my demo reel for my upcoming launch (2019) of my music site and freelance business.

Hi people, how are you? I hope good! I am Marcos a mixing and mastering engineer from Brazil and actually I use Mac for mixing and mastering, but in the future I will go with a Windows notebook, because in the same computer my Pro Tools 12 opens with Windows and doesn't with OS X, I am convinced Windows is better, but there is a problem, mastering software.

Ok im. confused...
My mastering engineer sent me a 16 bit wav file...I sent this to CDbaby for distribution. CD baby ask for a 16 bit wav file and no other format.
In conversation with the mastering engineer over Facebook chat.

Hello, I'm new here but not to producing music. I mainly produce electronic music, but my brother is a singer that wishes to get into recording his own vocal performances over Karaoke tracks.

Hi dear recording community,

i'm new, and i'm from abroad so please forgive my english.
right to the problem:

Percrastinate

Hi,
Any recommendations of FREE useful Plugins for Mixing & Mastering?

Besides room acoustic, do we really need a B&W for Mastering reference? Or... a KRK 2.1 system will do? Perhaps, a Stereo pair does it job?