Skip to main content

mid-side processing

Description

Mid-side processing takes a left/right stereo signal and breaks it up into two separate layers: Mid and Side. Mid-side processing is a highly effective way of making adjustments to the spacialization of a mix or master to make your mix sound full and wide.

Stereo Width Experiments

 I am getting interested in building a hardware stereo image widener circuit.  I have seen a few ideas floating around based on the Middle(M) +Side(S) technique.  The basic premise can be summarized into the following equations:

Encoding M and S

Middle  = L+R

Side  = L-R

Middle Circuit

Translating that into basic op-amp circuits, the Middle signal could be created with a summing amplifier.

Recommendations for Mid Side Shotgun mic Setup?

So I am fairly new to folly audio recording. I was looking around youtube for how folly artist (from a beginner standpoint) typically would go about getting into folly sound production. One video recommended that I could start with a mid side audio setup for doing stereo and mono sound and recording it into a zoom H4N. So is that what you guys would suggest? And if so what mics under $200 would you suggest (per mic)? Also if you have a good suggestion for mounting for being on a budget that would be good as well!

M/S Reverb

Hey I recently took up on a $15 upgrade to the latest version of D16 ‘Toraverb’ reverb pluggin. Among a few other new options the main thing I found enticing is the M/S feature. Which allows you adjust mid and side parameters for early and late reflections separately.

“The signal from Early and Late reverberation modules is blended together in the Mixer, which provides, apart from controlled Levels, also Stereo Balance parameters for both reflection types, which can work in L-R or M-S domain.” (Quite from a write up)

Mid-side mic recommendations?

I am doing some mixing for bar bands and camcordering the result for my YouTube channel.

My camcorder audio is poor so I am looking into upgrading it.

I have selected the Zoom T24 as the audio recording device and am investigating microphone techniques. Since the audience participation is such an important part of a bar performance, it would be nice to capture that ambient field/feel directly. I settled on the 'mid-side' technique as my probable solution, with a twist.

Waves MS Matrix and breaking out LR info in Cubase

Hey everyone! It's been a few years since I've been an Avid forum user, but this place profoundly shaped my life and career when I was a young engineer. I kinda want to start by thanking all of the veteran users (I don't know how many are still here haha), but I do have a question about a process I've been trying to figure out for a few days now..

I'm working in Cubase 8 Pro on a Mac.

Work showcase ; Live recording audio/video with M/S and T47

Hi guys,

We had this category a while back called showcase your work.
It's been a while since I presented a recording on my own and after a while commenting on others, I thought I was due to post something

This has been done with a friend last night. One take voc/guitar live recording with an added back vocal.
Very little mixing done.
I know it's not perfect but it's always fun to hear what you get from a recording setup and not from hours of mixing.
Comments are welcome ! ;)

Details :

Imaging Problems M/S Mastering

Hi dear recording community,

i'm new, and i'm from abroad so please forgive my english.
right to the problem:

i have mixed a track and, for the first time, tried M/S for mastering, but it didn't work right.
the imaging changed drastically and went to one side.
the mid group as well as the side group channel are both fine when soloed,
however when both play the imaging changes.

here's how i set it up:

i disabled the mixed track's routing to stereo out
i created two stereo groups (mid and side)
x