Just completed my new mixing room. Fun times ahead :)

Here's an interesting article from PSW about mixing for sound reinforcement of a live performance.

Your first or second mix is probably the best...

Is a mix ever really finished?

I'm working with a tight group of film makers, all local, but a very dedicated bunch. I have been searching everywhere for info on mixing dialogue, foley, and music and happened upon the -20DBFS pink noise to 85 RMS mix standard. For anyone familiar with this, I think I get it, yet I wonder if I really do.

Hello.

I'm participating in the same mixing contest as Sean G and would like to hear some thoughts on my mix. Is this ready to go or is there anything I should fix/change/work on?

I didn't record any of the tracks. For anyone who's interested, the contest is here: http://www.bozdigitallabs.com/

Thanks!

Hello All:

I have a little project that has me stumped. I am sure lots of folks on the forum do this all the time, but I have never tried it.

I thought I'd start a new thread, discussing songs we like and dissecting the recording and mixing methods used that lent heavily to the ultimate sound of the song.

Those interested in upmixing mono source material to stereo should check out my website, http://www.monotost…"]monotoSTEREO.info . The website provides a collection of resources for those using audio spectral editing, sound source separation, and related processes for upmixing older mono source material to stereo.

Sennheiser 280 HD pro
Sennheiser 380 HD pro
Audio-Technica ATH m50
KRK KNS 8400

internet has mixed review for all, though i was planning to get Sennheiser 380 HD pro, but still need the expertise advice to pick the right one.
thanks.

It should be assumed that mixing tracks that were recorded well to begin with makes for smoother mixing sessions.

But which do you personally find to be more difficult (or, accordingly, easier) -

Getting the sounds rights to begin with during the Tracking stage?

Or,