Hi everyone,

Hi there,

I'm starting to check for a place I can thrust to buy tube kits for my 2 x LA-610.
Affordable and good sounding (dreaming here ;))
They are both mk1 and were buildt around the same year but actually don't sound the same.
I guess they have different tubes or different wear on them.

Any suggestions ?

I am planning on recording a school orchestra recital and need some help deciding on a microphone setup. I've done live sound for decades, but have done practically nothing relating to orchestral recordings. I also have a limited selection of microphones to choose from. The end result will be a stereo audio track to mix with video from multiple cameras for a concert/recital video.

Hello, sorry if this isn't the right category for my question.

I have a track with the dry signal out of recorded guitar and I'm using a virtual amp head with an impulse as a cabinet.
My question is what is the proper place to use any effect plugins (reverb, delay etc), as insert or send effects?

I have a cocktail drum kit, with a tall, 15" barrel drum that stands upright and serves both as the kick and the floor tom. It has small air holes, but no mic port. The kit sounds great, and I can get a solid one-mic recording from it without problems. But I need to do some multi-mic setups, and wanted some informed opinions about recording the kick.

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I found this today. Thought I'd share.
https://www.cakewalk.com/Support/Knowledge-Base/2007013311/10-Microphone-Placement-Techniques-for-Acoustic-Guitar

Even if it's for guitars, the techniques still apply for other instruments

I'd like to share a great studio technique that I call the "echo demo". I hope you find it as useful as I have.

Hello all,
I just bought 9 pieces of rigid fiberglass board, 3# density (Johns Manville 814). 24"x48"x2".
I have lots of acoustically transparent burlap to wrap the panels in, and mounting hardware, for walls, corners, and ceiling.

Right now i'm set up like this.