Last time I was at a Digi demo, I asked when Pro Tools was going to work on Firewire drives. Imagine my surprise when i was told it already did - up to 24 tracks.

I have a 9600/350 with Newer G3 500/250 card
Mac OS 8.6
Pro Tools Mix Plus vers 5.0
Adobe Premiere 5.1c (for capture)
Miro Motion DC-30 plus driver 1.2.1
ixmicro Dual monitor card
adaptec 2940uw scsi accellerator

Anyone have a similar system upgraded to Pro Tools version 5.1, and OS 9.0.4?

I've just spotted this after maxing out my Mix+ system with a pretty complex session. In the system usage screen, it looked like one of the DSP chips was free even though I was getting out of DSP errors. However, a mouse click on the chip resulted in it turning red and the message 100% appearing. Allocated to what? I'd normally expect to see something a bit more descriptive.

I've got a Pro Tools Mix Plus version 5.0, 888/24, USD, and a Tascam DA-88 with the SY-88 sync card. I need to make dubs/stem mixes on DA-88. What is the preferred method of doing this?

Greetings

Digi's new 5.3.1 software will have a new mix bus, here is some preliminary info on it. I'll have more info on my website this week end. There is more details in the Pro Tools section int the DAW forum.

Howdy again,

I just received the scoop on the 5.3.1 upgrade, here is some preliminary info.

Howdy Everybody,

Just wanted to let everybody know that the new Digital I/O for Digi has just been released.

It is expected to ship 4-15-02. Here is some preliminary info on it.

Well - how was it for you?
:)

I have a mix coming up where I will be mixing tracks recorded directly to Pro Tools. I will be mixing on an API or vintage Neve and probably to 1/2". What suggestions can any of you experienced mixers give me to help shape and glue the tracks togather? Any ideas will be appreciated even if you think it might be obvious. Thanks.

Can anyone expand on this subject? Here's my issue.. I've created an OMF from Final Cut Pro and imported it into Pro Tools v5.0 to hammer out the audio. The Orig. Quicktime files that the video person used to make his Final Cut project were 29.97fps and his Final Cut movie is 29.97drop. Make any sense? Well, the way Pro Tools works into the equation is obvious.