Hi,
I am highly consiering investing in a MAC G4 simply to use for Pro Tools LE. A concern of mine is whether or not LE really resembles the full blown version of Pro Tools. In other words, if I master LE, will I be able to tranfer my skills to the Pro version?

I have a client who is trying to mix what we've tracked and overdubbed in my studio with DP 2.7 on his PT LE rig at home. I gave him the OMF files and also copies of all the audio files. He has not been able to import them. Is this because he is a moron or is it not possible to import OMF files into Pro Tools LE. Also, do any of you have tips for transfering files to clients with Pro Tools.

Our friend from the south side of the earth mentioned he was "testing" the newest PT code SSS (huh?). What was never mentioned was hardware. The cards, interfaces, and such.

When I put my ear to the ground the rumble I heard was "new hardware" and "incompatibilties" between old and new.

That'd suck, huh?

-jz

Any suggestions and do you think its better to use tc master x or use and eq, copressor and limiter. also I have Wavesc4 but I havent really messed with that yet.been trying different setups but I'm not really carzy about any yet. Though I do like the Wavesrenn compressor with the l1

I'm about to purchase (in the next few weeks) a PT system. Most likely a PT Mix Plus. However, before I tangle with a Sales Weasel I'd like to go in armed.

-jz

Does anyone have experience of "Pro Tools FREE"? I have read unfavourable reports of its playback of work recorded on Pro Tools LE, but surely the point is:
How does work recorded on "FREE" playback on
1) "Pro Tools FREE" itself
2) "Pro Tools LE" (most important).

Digi is having a press release this Thursday.

Most audio mags/media will be there.

Sounds lke the big one.

OK, the word on the street is that the new 96k Pro Tools with new hardware and improved audio quality throughout the architecture and mix buses will be announced shortly...maybe February 2002. Or maybe I've been in the studio too much and haven't heard the latest.

So, studio owners and engineers, who is interested in this?

Hi all - I'm in the market to get a REALLY great compressor to track into Pro Tools. Primarily I record vocals and guitar .
I want flexibility in the compressor (ie from transparent to obvious) and also lotsa headroom. In particular something that can handle transients and peaks without 'popping' artifacts..
Money is no object so please cast your votes...thanks! :D

DownSouth: