As I teach myself to be a better sound engineer on my home setup, I'd like to turn the weedy Roland CR78 samples I've transferred to my Steinberg Groove Agent into something a lot more powerful-sounding. This is a useful exercise in EQ and FX for me. So far, I've done rather poorly - the bass drum in particular just sounds worse. On Ultravox's 1980 recording of Vienna, the drum machine has been massively beefed up, better than I've heard it on any other track. What did Warren Cann and Conny Plank do to that machine to make it sound so punchy? I'd welcome ideas.