Focusrite Red 8 Pre

Discussion in 'Preamps / Channel Strips' started by Boswell, Feb 2, 2017.

  1. Boswell

    Boswell Moderator Distinguished Member

    Joined:
    Apr 19, 2006
    Location:
    UK
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    Here's another new peice of kit I would really like to try.
     
  2. pcrecord

    pcrecord Quality recording seeker ! Distinguished Member

    Joined:
    Feb 21, 2013
    Location:
    Quebec, Canada
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    The rear connectivity is impressive ! 8 mic pre, 16 line ins, 2 sets of adat, Dante, etc...
    3500$
     
  3. audiokid

    audiokid Chris Staff

    Joined:
    Mar 20, 2000
    Location:
    BC, Canada
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    Nice.

    and

    Parallel Path Conversion
    Focusrite has been designing digital converters for over 20 years. From the original Blue 245 and 260 mastering-grade A-D and D-A, through the Liquid Channel and more recently RedNet, digital conversion is a key part of our design heritage and philosophy. Every converter we design starts with the same objectives: low latency, high dynamic range and a flat, wide frequency response. Red 8Pre’s conversion achieves just that, lightning fast performance, a dynamic range of 118dB A-D and 121dB D-A and a flat response to 35kHz. By using “parallel path summing” we have achieved even greater noise-performance than ever.
     
  4. DonnyThompson

    DonnyThompson Distinguished Member

    Joined:
    Nov 25, 2012
    Location:
    Akron/Cleveland, OH
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    "...in today’s modern studio, audio networking is taking over. Focusrite’s RedNet range is the world’s most popular modular audio-over-IP platform. We’ve brought some of that technology to Red 8Pre, allowing up to 32 channels of Dante inputs and outputs to be connected. Simply plug in an Ethernet cable and add additional mic pres or line I/O with ease. Alternatively arrive at the studio or venue and simply connect one Ethernet cable to Red 8Pre to gain access to the whole network. The possibilities are huge..."

    Focusrite makes some beautiful stuff.

    One of my most favorite hardware compressors of all time was the Focusrite Red 3; it came out in the early 90's ...it was a stereo comp/limiter that had beautiful sonics.
    I never personally owned a Red 3, but I had several opportunities to use it at other studios. Not only did I love it for the Master Bus, but I also loved using it on sub -busses, too - particularly on backing vocals and electric guitar.

    I knew guys who would bus signal through it simply at unity gain, and not even engage any GR, just because they liked the sonic "vibe" that it gave their mixes.
    I don't recall which XFO's were in it, it might have been Lundhal's 1538, which had been used in their LFC, but it sure had a sweet vibe to it.

    Focusrite's history and lineage is a very cool subject. If you ever get the chance, there's a vid on YT that is a documentary on the Focusrite Studio Console.
    It talks about the origins, ( George Martin commissioning Rupert Neve to build it for him) and how the sound was deemed to be incredible - even untouchable - by those who either owned one, or had used one.

    I've heard nothing but praises for everything that Focusrite has released in the last few years.
     
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    The New AT5047 Premier Studio Microphone Purity Transformed

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