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Message: [QUOTE="Kurt Foster, post: 22639, member: 7836"] Yes, in DAW "world" I am learning it is different.. I like to run things around -6dB because at levels lower than that I have a lot of trouble getting the 2-bus up to -2dB on mixes without running the channel faders up above 0dB. I can hit -2dB peaks but not on average, which is where most modern mixes seem to be sitting. Many mic pres choke if you try to feed the DAW to even -6 with them, running out of headroom. One pre that I have come across that has lots of juice for the DAW is the Great River MP2NV. Being a true 3 stage (amp) mic pre of the 1073 type, it has well over 60dB of gain which is what it seems my DAW really likes. I can get plenty of signal into the workstation while still having lots of headroom in the pre.. I have found it working very well for electric piano and keyboards, clean, clear, loud, no distortion.. yuuuummm! :D [/QUOTE]

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