Midas Venice 320 Recording

Discussion in 'Consoles / Control Surfaces' started by Johnny_Socko, Sep 8, 2004.

  1. Johnny_Socko

    Johnny_Socko Guest

    Hello all,

    I hope I am putting this in the right place. I apologize if it is not. I need some help recording. I am the sound guy at my church, not because I know what I am doing but because I "inherited" the position. The problem I am having is getting the recording level higher. We have a tape deck plugged into the Tape Out port. The recording level is turned all the way up on the deck, but I can't seem to find out how to get the output of the board higher. The board is a Midas Venice 320. If anyone could point me in the right direction, I would appreciate it.
  2. Johnny_Socko

    Johnny_Socko Guest

    I had someone tell me to connect the tape deck through the aux, but I'm not sure if I should plug them in through the aux return or send. Would anybody happen to have any advice?
  3. Clueless

    Clueless Guest

    You should be able to get enough juice from the 320 to roast your tape deck.

    First, decide what you want to be Tape Out. This could be (in descending order of likely utility):

    Master L-R (XLR out)
    Master B L-R (TRS out?)
    Groups 1 and 2 (TRS out)
    Groups 3 and 4 (TRS out)
    Monitor Out (TRS out. Watch out for Solo!)

    and then various aux outputs which are all likely to be even more complex because it's sometimes confusing to set the aux sends correctly. I'm not going to deal with those here.

    Now, you probably have something going to the local PA system...likely Master L, R, or both (the speaker setups in many churches are mono, not stereo--don't know about yours). Or perhaps you are using Master B. The nice thing about the Venice is that you have both, and you can set the levels independently. If you send one to your PA and the other to your tape deck and you find you are getting some, but not enough signal to the tape deck, swap the two and see how things go. What should happen is that if you were really dialed down on the Master before, you'll dial up after the swap, and you can compesate with Master B.

    If you want fader control instead of knob control, you can allocate a group or a pair of groups (depending on whether your signal is mono or stereo) and then just be sure to always engage the appropriate group buttons every time you engage the L-R buttons. Then feed the deck from the appropriate groups.

    You can download the Venice manual from the midas website (http://midasconsoles.com) from the support->downloads section.
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