Don, I think it would cool if you would talk a little about the inherent tonal qualities of vinyl and how best to prepare material that is going specifically to vinyl. Do you recommend mastering differently for CD and Vinyl? And if so, what things can an engineer do to maximize the potential results? Years ago when talking to Glenn Meadows, he told me to master something the way I wanted it to sound and let the guy cutting the plates worry about optimizing for vinyl. Do you subscribe to this mindset or have you another point of view. Always curious to learn new things….