Discussion in 'Mixing & Song Critique' started by DaveX, Jun 5, 2003.
Listen & learn what ribbon mics can do for you in your studio.
Anyone have any insight on this compressor. Sure would like some reviews.
Can you say Behringer?
If you take the first letter from Behringer and the first letter from Samson, what do you have?
Good one, Kurt!
Behringer and Samsom are worth the money, but you really do GET WHAT YOU PAY FOR!
I have Behringer's MX8000 24 channel 8 bus mixer I use for our rehearsal room, and it works fine, but it was like $1000 used! I have some other cheaper Behringer gear that leaves much to be desired.
I haven't used the Samson stuff yet, but it looks suspiciously simular to the Behringer designs (which were copied from Aphex and Mackie!) and is at the same price point (CHEAP!)
If it fits the bill, go for it. If you can spring a bit more, go for an entry DBX unit.
LOL. How did that escape me?
I have a samson s-com. I use it for the noise gate. The gate is really nice in that you can set it to be totally transparent. It has good adjustability. I use it all the time and like it. I have not used the compressor in it as I have two Ashly's.
The New AT5047 Premier Studio Microphone
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