Joe, thank you for your reply.
What I am also wondering is why recent DVD-V titles lack the dynamic range of some older titles. Specifically, I am referring to newer movies released on DVD that seem to suffer from the same type of heavy limiting, EQ, and compression as many popular CDs. I was recently enjoying a DVD movie that is about 5 years old and I was absolutely blown away by the dynamics in this movie-- whispers were quiet, screams were loud, and explosions (fireworks actually) really had some significant SPLs behind them. More current movies seem to lack this type of excitement and it is rather depressing.
Why aren't more recent DVDs released with wide dynamic range when the consumer has the option to compress within the decoder using Dolby's Dynamic Range Control data contained in the Dolby Digital data stream? I am sure I am not the only one who enjoys movies that sound as good as they look. With the advent of metadata contained within the Dolby Digital spec, I don't think that there is a valid arguement for the content producers to continue to demand to "make it louder". The dynamic range compressor (with the parameters controlled by the metadata as I understand it) in the decoder could handle this for consumers who wish to use it yet be turned off by the listener who wishes to enjoy the full dynamic range. Furthermore, if a DTS option is offered on the title, why not leave that at -20 DbFS (or more) since most people aren't playing that through little TV speakers where a wide dynamic range could become an issue?
I was also curious as to whether or not Dolby's "dialnorm" information can be put to use on a DVDV disc. That could solve the issue of level matching of various titles. "Dialnorm" seems as though it is a must for HD broadcasters; although on DVDs, it could solve the "5 disc changer issue" that has plagued many popular CD releases.
I hope that my questions are even relevant to mastering. I get the impression (from Joe Lambert's post) that there might be some type of a disconnect between the DVD authoring houses and the mastering facilities. At what point in the process of creating a DVD title does the work move from the mastering facility to the authoring house? I am no expert yet :wink: -- I'm just trying to get a start working professionally in the audio engineering field and I am full of questions and curiousities.
Also, I am not trying to start the loudness debate up again. :wink: I think with DVDs it is a different issue. There is no need for the battle when one DVD could be either loud or not loud at the discretion of the user.
Thanks much,
Erik
PS I just saw Turtletone's post when I hit "preview" and think that answers some of my questions. If it's loud in the theatre, it'll be loud on the DVD too. Ughh!