Hi all,
Its time to expand the mic collection.
Current inventory includes:
4 Shure SM57s
4 Shure SM58s
2 AKG C1000Ss
1 AKG D112
I am looking to add 2 small diaphragm condensers, 2 large diaphragm dynamics, and 2 large diaphragm condensers all for a budget of $1500.
I am considering the following:
2 Oktava MK012s (±$300 new)
2 EVRE20s or Shure SM7s (±600 used)
2 RODE NT1000s or Studio Project C1s (±$600 new)
This is for my project studio. The band records live in the same room. I either rent the high-endstuff or buy studio time if I need it, so dumping the whole budget on 1 goodish mic doesn't make sense for me.
Any suggestions from the master bottomfeeders would be greatly appreciated...
Thanks in advance
geo
Comments
Here are some great bottom feeder mics I've found:
Behringer ECM8000 1/4" measurement mic - $34
(Great small omni condenser mic for drum overheads, percussion, and acoustic guitar.)
Marshall MXL-603S 1/2" cardioid condenser - $80
(Good for acoustic guitar, overheads, some vocals, flute, strings.)
Marshall MXL-V67 1" Cardioid Condenser mic - $89
(Great vocal mic.)
Audio Technica ATM-25 1" Hypercardioid Dynamic - $149
(Great for kick, floor toms, guitar cabs, low percussion, sax, and bass cabs.)
Sennheiser 421 Cardioid dynamic - $250 (used)
(Great for kick, floor toms, guitar cabs, low percussion, sax, bass cabs, and some vocals.)
Shure SM-7 Cardioid Dynamic - $300 (used)
(Great for sax, and vocals.)
Oktava MC012 1/2" w/3 capsules - $300 (Oktava.com)
(General purpose 3 pattern condenser mics.)
Lomo 33mm head for MC012 - $200
(Excellent vocal mic.)
Beyer M201 Dynamic Hypercardioid - $200 (used)
(Great for snare, and assorted stuff).
Harvey
Where can one get a V67 for $89? That's a pretty darn good deal.
Thanks Harvey,
I'll have to check some of these out...
The LOMO head sounds intrigueing...
Thanks again...
geo
Nate,
I think that $89 may be the price for a refurbished V67 from Mars Music.
Thanks Bear,
I have been tempted by the RE 15s, very little off-axis coloration ... would probably yield better and more detailed results than the 58s I currently use. They are somewhat hard to find though...
Bleed on the large diaphragm condensors probably won't be a problem because all electric guitars/bass are either recorded direct or amped in another room and the drums are behind baffles. We use headphones to monitor...
Sometimes the scratches are keepers, other times not so a few overdubs do occur
The little Behringers are also an interesting item. I currently use Radio Shack (!) 33-1052 omni lavalier condenser mic inside a Martin D28 to record. Though its a little noisy it sounds very true. How quiet/flat is the Behringer? The shack mics are rather cheap and flimsy (duh) and thus I have had to repair them more than once after some — shall we say — rather enthusiastic takes. Maybe the Behringer could be an eventual replacement option.
Thanks again for the input Bear,
geo
"... but you can mop up dust."
Try the Oktava 319's. I recently recorded a band with the Oktava 319's in a 3mic setup on the kit. To hear what they sound like, go to:
http://www3.telus.net/Home/MP3/
And listen to the song Randene. 95% of the drumsound is the Oktava's
Mark
Oh yeah, The shure sm98's or beta 98's sound wicked on toms etc
Oh yeah,
The shure sm98's or beta 98's sound wicked on toms etc.
Hi guys I absolutely like the M88 and 201, but the Beyer M69 is
Hi guys
I absolutely like the M88 and 201, but the Beyer M69 is a pretty good microphone too, and what about the Sennheiser 441, a really great mic, hyper cardioid with a nice off axis response. Also a great mic for horns.
Sometimes you just need the compression of a dynamic and Sennheisers are great mics
But, be always very careful when buying a used mic. I bought two D12's and after a while I found out they didn't sound alike, one had much more low than the other.
So I went to the AKG specialist and he found out there was a dent in the capsule and it needed a new capsule, not a cheap one :)