Does anyone know the significant difference between the dbx 160 and the dbx 161 besides balanced vs unbalanced? is it only the transformers?
I have inherited a pair of 161 and would like to make them into the 160 if it is at all a reasonable project.
any advice, info, links would be hugely appreciated!
thanks
What's the difference between the DBX 160 vs DBX 161
The Model 161 is nearly the same as the 160, but is priced for the smaller studio, or the semi-pro user. It has the same advanced rms detection and feed-forward circuitry as Model 160, but it lacks turn-on/turn-off transient protection, and ground-loop compensation.
Comments
i've had a pair of DBX-160's since i was 12 years old (!...i'm n
i've had a pair of DBX-160's since i was 12 years old (!...i'm now 34)...and i absoloutly love 'em
i've been using them for years on different things.....bass,vocals,kick etc.
there are no input/output transformers in mine so we're talking differential input here
Welcome to Sebatron, as a little background for those that don'
Welcome to Sebatron,
as a little background for those that don't know,
http://www.sebatron.com/
To see Seb on his home turf check out,
http://www.sebatron.com/sebastian.html
I hope he is cool about me calling him 'Seb'.
Here is what the 160/161 manual states regarding the difference
Here is what the 160/161 manual states regarding the difference between the two models:
"The model 160 is a fully professional compressor/limiter with a balanced differential input with an automatic ground-loop compensated output (hum resulting from any ground loop at the output is automatically sensed and attenuated at least 40dB), and with a special protection circuit that blocks power turn-on and turn-off transients from the output.
"The model 161 is nearly the same as the 160, but is priced for the smaller studio, or the semi-pro user. It has the same advanced rms detection and feed-forward circuitry as Model 160, but it lacks turn-on/turn-off transient protection, and ground-loop compensation. The 161’s input and output are unbalanced and terminated in RCA-type phono jacks."
My guess is the main (practical) difference is the use of transformers to balance the O, unless they used opamps to balance them (I can't get the schematic part of the manual to load, so I can only speculate
)
Hope this helps.
Peace,
Joel