I'm in need of some advice. I've recently taken a piano faculty position at a University, and have been given quite a bit of funding to use as I see fit and I'd like to dedicate a portion of it to a decent 2-mic setup. As a preface, I would like to say that we have an excellent engineer who has a ton of experience and an awesome equipment list. He's also a very busy man, and I don't want to bother him every time I want to do a bit of recording, especially since I tend to record at odd hours. To be clear, I do have plans for a solo classical album, and I will be exclusively going through him when I record it.
I have a trusty old Apogee Mini-Me pre-amp/compressor with drivers that don't work with anything beyond Windows XP.
For a time, I got away with using it via SPDIF through my trusty old Egosys U2A - it's a cheap little USB Audio Interface which amazingly has both optical and SPDIF ins and outs and cost me less than $100 about a hundred years ago. (I know! Right?)
Basically, the U2A was doing nothing to add to the sound beyond passing through one digital source to another digital source.
This is an original song called Starchaser. It is a rock song. I was wondering if you all have feedback on the song/mixing. We appreciate your time!
I put this together back in 2008, and yes it contains loads of grammar and spelling mistakes, but the content is enough to get you started.
This may not be the Norm! but I'm interested in recording Background Music onto a Digital Voice Recorder, and then playing that Music into my Phone while it is shooting a Video! which hopefully will result in Raw Camera Video File, with BG Music! ...My question is, Can this be done? and what would I need to do It?
A bit of light-hearted fun for the folk who are interested in microphones. I was hunting for a mic this afternoon and realised I had a few that were either old or less common - 17 mics arranged from tallest to shortest. I've blobbed out identifying marks to a degree. Some should be very easy - but getting 17 would be pretty hard I think?
5 are over 20 years old for certain and two of them I bought in the 70s - so probably 45 years old!
Monitoring with Magix Samplitude Pro X
In this video I show how I do my monitoring setups with RME Totalmix FX and also using Samplitude alone for those who don't have a virtual mixer for their interface.
One of my Youtube Viewer bought a Presonus Q2626, it seems to not have a virtual mixer and aimed to be driven by studio one.. I hope this will work with samp as well.
Let me know what you think. How do you manage monitoring outputs, with or without multiple signals for headphones..
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Gain staging is the most critical things we should learn to keep the integrity and quality of our audio recordings.
Tel me what you think? Anything I forgot?
Is it possible to record more than 4 tracks on the h4n in MTR mode? I would think bouncing to on mono track would allow you to add 3 more overdubs, bounce again and add 3 more. I have a project due tomorrow that requires 4 violins, 4 violas, 1 piano and 1 vocalist. I cannot get the h4n to open the bounce file nor does it open when I change the name to trk1-00 (the default name for track 1). I can do each 4 instrument group and combine them in Logic on my Mac but I was hoping to avoid that. Doing the recording and not hearing all the parts is not ideal.