The company has been around for some time. Has anyone here ever used TAXI?
Please share your experiences.
Comments
I've never used TAXI, but I do pay my taxes. I had known someo
I've never used TAXI, but I do pay my taxes.
I had known someone years ago that decided to try it out. He made a CD and payed big money to have it produced. He got a thousand of them made and he told me he spent $30G on it. (after listening I don't have no idea how)
He was really upset when he gave me a copy and told me he was giving them away instead of selling them.
He failed to get any attention with it. He then decided to try TAXI and produced not one lead. Its easy for me to see why you cannot get your foot in the door of record execs without any clout.
Clout is hard to come by, you need something called talent and a fan base first! Talent is something you get that not many people have, it makes you stand out and make great music.
Without talent your better off flipping burgers and listening to the radio. Taxi or a big money production does not mean a thing unless people like it.
Spend your money wisely or don't spend it at all.
I used the Taxi.com 12 month service about 6 -7 years ago. A few
I used the Taxi.com 12 month service about 6 -7 years ago. A few things come to mind. Still trying to get my songs heard it seemed a good fit, this Taxi.com service. It was back at the time "Jimmy Eats World" had gained elevated status.
What I was ready for using Taxi was to get one little niche that I could pigeon-hole one little song in. What I got was far from that. It was a wide open playing field with little room for what I was doing.
One thing that it did was to take away the inability to specify a genre for specific songs. In order for it[service] to help me as a user, it was up to me to place the song in the best genre, no doubts and no fudging.
These entries cost an extra fee, 5(USD) I think it was, per submission, above and beyond the admission fees.:)
Often a piece of work might be asked for that would list the song or bands focus as "Switchfoot meets Jimmy Eats World with a dash of Robert Cray". What?
Instrumentals were always hot, so I found myself working on the next big thing instrumentally. As anyone who does this [EricWatkins] can tell you, it is a lot easier to say then create.
As a tool, I worked harder and longer hours trying to match the submission criteria. As a songwriter with a certain game plan in mind, I lost focus on what it was that I did.
It seemed then and looks now to be aimed at a much, much younger crowd then I run with.
Looking over the page for [[url=http://[/URL]="http://taxi.com/ind…"]Industry listings at Taxi.com[/]="http://taxi.com/ind…"]Industry listings at Taxi.com[/] is a good idea before making a commitment to this service.
It may be a better fit for you then it was, at the time, for me.
The thing I like about Taxi is that they do exactly what they sa
The thing I like about Taxi is that they do exactly what they say they are going to do, at exactly the rate they say they are going to charge. There is no upsell and they take no percentages of any of their successes. What they do is not a good fit for everyone but they are a really straight forward company.
Another cool thing is that the Taxi Road Rally is a very cool conference and its free (plus a guest) to any taxi members, so that pretty much makes the membership fees worth it right there.
In full disclosure: I do not work for Taxi, but they have invited me to speak at the Road Rally a few times.
i hear lots of responses like "taxi has a great road rally" or "
i hear lots of responses like "taxi has a great road rally" or "taxi have me good critique on my song" but i have never heard "using a taxi sheet helped me get a song placed with an artist" and that's what they advertise to do. (except of course the one magazine advert where they have the chick who looks like debbie gibson but is not debbie gibson)
500 bucks? that is SO crazy. spend $25 at barnes and noble and buy a songwriter's how to book. the appendix will give you more resources than taxi ever would.
I was a member of TAXI many moons ago. I submitted about 50 time
I was a member of TAXI many moons ago. I submitted about 50 times. Some songs more than once. I even got some critiques back which I never really did find helpful. Music is so subjective. So I don't put much credence in what their people say.
For example, "not broadcast quality". Yet I turned around and got a placement on my own with the exact same recording! Go figger . . .
As for the road rally, I'd love to attend. But I'm gigging most weekends. It seems to me that if a Music Conference wishes to truly pull, they would hold their seminars during the week when we're not as busy. I would fly anywhere in the country if they held their conferences on a Mon-Wed. Then I could still get back in time to rest for the weekend.
Just my .02
Hi all, Michael Laskow, founder of TAXI here. I'll give you som
Hi all,
Michael Laskow, founder of TAXI here. I'll give you some factual information about TAXI in a second, but I first want to reply to Remy's post abotu my career. I started at the bottom at Criteria studios in the 70s and had the great fortune to trained by people like Tom Dowd, Arif Mardin, Karl Richardson and Don Gehman. After that, I was studio manager and senior engineer at Triiad Recording for 5 1/2 years. I left Triiad after the birth of my first daughter to move to NY to do audio post. I wanted a job where I could be at home at night to be part of raising my kid(s). I eventually landed at Howard Schwartz Recording, and became studio manager there for approx. 6 years. I moved to LA in 1988 to become GM of LA Studios, then RedCar (a large Hollywood/NY-based film/video post company). After years away from music, I had the idea for TAXI, moved in to a one bedroom apt. started the company on a small wooden table and lived on rice and beans for the next couple of years. TAXI has been my all-consuming passion for 18 years now.
I'm always amazed that people post things like,"Well, I had a friend who knew somebody who belonged to TAXI and I hear that nothing ever happened for her," or, "I was a member, submitted a bunch of stuff and nothing ever happened for me." Hear say is is just that... HEAR say, and to indict us because somebody submitted their material and didn't land a deal is well.... did you HEAR their music? Were they good enough that you'd take out s second on your home and invest it in them? Do we promise that every person GETS a deal? Nope. But we DO have a Money-Back Guarantee.
Let me cut to the chase. Rather than let conjecture run wild with no facts, please just take a look at this:
[[url=http://[/URL]="http://forums.taxi…"]TAXI.com - TAXI Success Stories[/]="http://forums.taxi…"]TAXI.com - TAXI Success Stories[/]
All I ask is that if you're going to talk about us, please state factual information or at least reference it. I KNOW it's easy to believe rumors, but it's sad to see people spread them when the TRUTH is just one google search away. Also might not be a bad idea to listen to the music of the people who post negative stuff about us. I know that nobody likes to say, "I didn't get a deal because my music was sub standard," but not everybody who would like to LAND a deal is good enough yet to do so. A big part of what TAXI does is to help people go from C to B, then B to A.
Anyway... nice to meet you, and thanks for listening :-)
Warm regards,
Michael
I can't begrudge the guy a chance to defend himself and his comp
I can't begrudge the guy a chance to defend himself and his company, especially since he's called out by name.
And there's no denying, a lot of the people who would submit material are just plain delusional.
Ideally, it would be nice if he'd contribute some content as well so it doesn't appear to be as self-serving.
I think the forum users would welcome his input on making their projects more commercially viable. (without cutting into his business)
dvdhawk, post: 298479 wrote: I can't begrudge the guy a chance t
dvdhawk, post: 298479 wrote: I can't begrudge the guy a chance to defend himself and his company, especially since he's called out by name.
And there's no denying, a lot of the people who would submit material are just plain delusional.Ideally, it would be nice if he'd contribute some content as well so it doesn't appear to be as self-serving.
I think the forum users would welcome his input on making their projects more commercially viable. (without cutting into his business)
Hey no problem, I merely stumbled upon this as an old thread...seemed like spam....but hey....I'm all for the benefit of the doubt....
To me this seems no different than TuneCore which charges to actually publish your music and put your material online commercially on electronic music stores like iTunes.
$40 per year per album and I suppose promotion is available as well at some added cost!
OK so Taxi...$300 per year and the promise that your material will be listened to and critiqued by people in the music business? OK...?
There are so many young people out there that want to be the next "Idol" and think if they spend money on promoting their music or songs and somehow think they'll becomes stars and make a bunch of money!
OK, maybe, maybe not....good luck with that and all....but it really doesn't work that way....it never has and it never will....and in today's music market the record companies aren't even sure how it works anymore (if they ever did!)
Hence the "Idol" TV shows with the attached record company ready to provide recording contracts to that one person that the masses have been bombarded with week after week until there's the "winner" all the while trying to figure out how to get those same masses to buy their idol CD's or online MP3's. How many people audition for that show!
Marketing.....even the late night shows have to have some act on every show now for promotional reasons....
Mike:
Please elaborate here in the forum how Taxi differs from maybe the TuneCore approach and maybe it's benefits over publishing directly or distribution techniques.
I think that would be a more interesting discussion from you in this forum....what's coming from your posts is just links to your site with the standard "why you should buy into our approach!"
Let's have a discussion about the actual music industry market out there....for the free benefit of users who come here looking for good honest opinions and information....
And let me be perfectly clear....I'm not pushing any music business agenda or product here and I have no relationship or interest in either TuneCore or Taxi!
Happy to elaborate, but it's already done on the website. The sh
Happy to elaborate, but it's already done on the website. The short version is that major and indie labels, publishers, and film & TV music supervisors tell us what they're looking for. We tell our members (without disclosing the company names, so they don't get bombarded). Our members get our Industry Listings on the 1st and 15th of every month. When a member feels he/she has the right music (can be a song or artist pitch), they submit it for that listing. We have a team of A&R people with incredible resumes (only 1 0f 7 passes the test to get the gig), they screen under our roof, we match the screeners' genres to the listings' genres. The material that is VERY top notch and stylistically on target for what the person a the company requested gets sent to the company. We obviously let the forwarded members know where their stuff is going.
Our screeners write critiques that get pretty specific, so somebody who is not forwarded gets the benefit of getting REAL advice from highly qualified people. They also get two free tix to our convention.
If you're an artistic dreamer, TAXI wil not be a good fit for you. If you're focused on earning money from making music ad you want real opps, real feedback, and are willing to write ad produce what te market is looking for, then TAXI is a great way to get consolidated, targeted opportunities and feedback. If you have te ability to chase down hundreds of solid contacts and devote 40-50 hours a week to contacting those leads and pitching your music, that might work better than TAXI. Most people have jobs ad real life responsibilities that prevent them from doing all that leg work.
We’re also quite different from Tunecore in that we are not a digital distributor who gets your music on online retail sites…. Not what we do.
Here's a link to a pretty complete info page:
[="http://www.taxi.com/about.html"]The Second Best Way to Get a Record, Publishing or Film & TV Deal: About TAXI[/]="http://www.taxi.com…"]The Second Best Way to Get a Record, Publishing or Film & TV Deal: About TAXI[/]
Here's another with some videos:
[[url=http://="http://taxi.com/son…"]TAXI: What Would You Do With the Ultimate List of Publishers, Record Labels and Film & TV Music Supervisors?[/]="http://taxi.com/son…"]TAXI: What Would You Do With the Ultimate List of Publishers, Record Labels and Film & TV Music Supervisors?[/]
Here's a link to our forum where you can see what current members say about us:
[[url=http://[/URL]="http://forums.taxi…"]TAXI.com - TAXI Success Stories[/]="http://forums.taxi…"]TAXI.com - TAXI Success Stories[/]
Not trying to plug TAXI, but you asked how we do what we do. My "promotion" stops here. But I DO really appreciate you asking, because SO many people THINK they know what TAXI is about nad post tons of misinformation about us on the Internet. Frustrating, so thanks for the opportunity to get some real info out there.
Any yes, I more than happy to contribute to other discussions. I typically work about 15 or more hours per day, so I'm pretty busy, but will be glad to help answer music biz questions. I'm also an old school engineer and have worked extensively with Neil Young, CSNY, Firefall, Melanie, Clapton and many others. I'm good for mic and wire type questions and production.
Thanks,
Michael
Hi Michael, A publisher who heard one of my songs forwarded thru
Hi Michael,
A publisher who heard one of my songs forwarded thru TAXI placed it in a major network series + another (bkgnd usage).
The publisher, did it again last year and got the same song in another episode of the same series + a coupla other TV shows.
So even though it all happened after my TAXI membership expired, I guess I'm one of your (albeit moderate) success stories.
The initial placement happened several years ago and I think there was only 1 quarter since, where I didn't get a check from ASCAP.
For those who want a better idea of 'Moderate Success', the checks have ranged from $10. - 700-something, With most of'em in the $40 - 100 range.
Interestingly, with the weak dollar, my international distributions have gone up!
Aloha from Hawaii, Michael, Thank You.
Stabb
Sorry, I really don't mean to be hijacking this forum. There's j
Sorry, I really don't mean to be hijacking this forum. There's just so much misinformation out there about TAXI and much of it comes from people who are either uninformed or are operating on here say. I'm just trying to get some facts out there so people can make informed decisions. I always wonder why people give out information that's incorrect when all they have to do to get the straight scoop is go to our [="http://taxi.com/"]website[/]="http://taxi.com/"]website[/] and our [[url=http://="http://forums.taxi…"]forum[/]="http://forums.taxi…"]forum[/]. Thanks for your patience and understanding.
Warm regards,
Michael
We love our spam hound! Sorry Michael, we are very protective
We love our spam hound!
Sorry Michael, we are very protective and watchful for self serving advertising. You are clearly not spamming us here.
I think Taxi has the right to be here and discuss things. I opened this topic for debate because I am interested in Taxi. The date any topic starts has no bearing. Members can re opened any topic and continue from where it last left off. This is a good thing.
Companies involved in a topic they didn't open have the right to take part in for sure. Especially any company that has a direct relationship to the OP, assuming its not part of trolling. Michael is here because this topic is about Taxi, he found it on the web and should be encouraged to be a part of it. We don't encourage link dropping but its understandable you don't want to copy all your articles over here.
Carry on... we're hearing peoples opinions and learning more about a very high profile company.
Stabb, post: 298614 wrote: This is a thread about TAXI, ain't it
Stabb, post: 298614 wrote: This is a thread about TAXI, ain't it? :)
Well, yeah....but its not someone shilling a product but simply answering questions about the service that he is involved with. In this light he deserves the pass.
As I said earlier, I used to be an associate member. I never used the service though I seriously thought I would had I had material at the time I felt could be viable. I got weekly and monthly updates on the goings on over there and they NEVER pressured or even asked me to cough up the cash to become a FULL member.
Just to clarify, we don't technically have an associate membersh
Just to clarify, we don't technically have an associate membership. We DO have a big list of people who haven't become TAXI members yet and I send them my ramblings and our industry listings so they can see what the industry is looking for and make an informed decision as top whether or not TAXI is for them. My guess is that Dave is on that list... and the cool part is that he's still talkin' to me ;-)
Anyway... thanks for the gracious reception and giving me the ability to show what TAXI does and doesn't do. There's SO much misinformation out there. It kills me that more people don't look at the success stories stuff in our members own words. The people who post those are only a TINY fraction of the deals that happen and their stories (and links to their music) show just how many people out there probably DO have what is needed, but their often uninformed perceptions stop them from taking the steps that can help them make money with their music.
I started a thread in Music Biz to ask what forum members thought Broadcast Quality meant. Virtually all of the early responses indicated that something had to be mastered to be Broadcast Quality. But in truth, our members get some awesome Film and TV placements, often with just one or two instruments recorded in pretty basic home studios. It's really shocking how many people don't REALLY understand the market and never try to make money doing what they love becuase they overthink the whole thing. We've got a member who does accordion music and he's been in three or four major motion pictures and made some nice money with his tracks. We just had another guy land a $15,000 license fee for a solo piano piece that's going worldwide and will make him an incredibly wonderful back end. A SOLO piano piece!
Anyway... I don't want to turn this into a TAXI commercial, but as you can see, I'm very passionate about what I do and it kills me that so many musicians grouse about how the industry doesn't serve them well, when it's really their own lack of understanding that is preventing them from making money with their music.
Stepping of soapbox now ;-)
Michael
Michael, Thanks for your clarification and saving me a search tr
Michael,
Thanks for your clarification and saving me a search trip through your site.
I understand you wanting to 'set things straight'.
But I think your company has enough members and is successful enough where you don't have to worry about misinformation posted.
I'd like to become a member of TAXI again someday but other projects beckon.
Projects like fixing my refrigerator, dishwasher, dryer, etc (all have broken down in the past year).
Gotta keep the wife happy!
TAXI has posted many songwriting tips.
I would like to see tips on strengthening one's powers of focus.
That's something I could definitely use.
For example, I think I have some of this -
[[url=http://[/URL]="http://www.musicthi…"]AvoidingAvoidance - MTT - Music Think Tank[/]="http://www.musicthi…"]AvoidingAvoidance - MTT - Music Think Tank[/]
Here you go Stabb, you're bound to find something to help you fo
Here you go Stabb, you're bound to find something to help you focus here.
[[url=http://[/URL]="http://www.taxi.com…"]Music Motivation: TAXI FAQs[/]="http://www.taxi.com…"]Music Motivation: TAXI FAQs[/]
Michael
mlaskow, post: 298656 wrote: Just to clarify, we don't technical
mlaskow, post: 298656 wrote: Just to clarify, we don't technically have an associate membership. We DO have a big list of people who haven't become TAXI members yet and I send them my ramblings and our industry listings so they can see what the industry is looking for and make an informed decision as top whether or not TAXI is for them. My guess is that Dave is on that list... and the cool part is that he's still talkin' to me;)
Michael
Yeah thats what I did but in the changing of computers and isp's I lost all contact. I really enjoyed the articles on production and mixing that would show up on occasion.
Hey Michael! I'm producing a KICKASS Blues band.. I've got 7 of 9 in the can....etc etc etc.....serious broadcast quality.
Blues gets placements. Here's a post about a recent one... and a
Blues gets placements. Here's a post about a recent one... and a really simple track at that.
[[url=http://[/URL]="http://forums.taxi…"]TAXI.com - Harmonica on Nitro Circus! : TAXI Success Stories[/]="http://forums.taxi…"]TAXI.com - Harmonica on Nitro Circus! : TAXI Success Stories[/]
I'd really like to contribute something here as you guys have been so gracious about letting me clear thing up. Is there a subject you need covered that you'd like me to write about? I promise not to plug TAXI. How about some leftover groupie stories from my Criteria Studios days ;-) How about when Tom Dowd asked me to edit some 1/4" Clapton stuff and my hands were shaking lol!!
Michael
When I get more songs finished and get them mixed/mastered, I'll
When I get more songs finished and get them mixed/mastered, I'll be putting in my money for a membership. These guys have been around for a long time and I've never heard any serious information about them being a scam, but I have read success stories. As he says not everyone is going to be successful. You're going to hear more failure stories than success stories - that's just how it is. I think most of my music will be a good match for tv/film, so I'm excited.
Taxi...$300 per year and the promise that your material will be
Taxi...$300 per year and the promise that your material will be listened to and critiqued by people in the music business?
IS that true that they CHARGE $300 per year? What a joke! This reminds me of the film business' script agents. There's agencies that CHARGE you up-front fees to solicit your script to film companies. The consensus is that you should avoid these agents. They are in the business of making money. There's really no screening process, even though they may pretend to "evaluate" your script. So any company that CHARGES you to solicit your music is sure making some nice bank. Is there any screening process or does Taxi take on anything? A good company will only take on quality material without an up-front fee.
I know of publishers who handle indie music and will listen to indie music. In the age of the Internet you don't need to be shelling out $300. Also get a copy of the Hollywood Reporter's Distribution Directory. Email those companies a link to your music.
An alternative to TAXI....KLM Distribution's A&R services. [[u
An alternative to TAXI....KLM Distribution's A&R services. [[url=http://[/URL]="http://www.klmdistr…"]KLM Distribution | Your Music. Your Way. Done Right![/]="http://www.klmdistr…"]KLM Distribution | Your Music. Your Way. Done Right![/]
A friend of mine was highly offended as to their rather high fee
A friend of mine was highly offended as to their rather high fees. But then, I told her it takes money to make money. So if you throw enough money at somebody that knows how to spend your money? It could be worthwhile?
Michael Laskow probably went bust with his Triadd Studios in Fort Lauderdale, like most everybody else, so he had to figure out something else to do? It was a nice MCI studio if you like MCI consoles. I don't. But their recorders were good and he was within walking distance of their factory. So I know, HE didn't need any Taxi. Maybe he lost his car also? Leases on expensive equipment are hard to keep up.
Low overhead studio. No leases. No taxis.
Ms. Remy Ann David