mastering, which is first, eq or compression?

i am experimenting on mastering to a 1/2" tape machine, and wanted to know my best hardware or software routing for a final dump down.

Are you doing all the mastering yourself? PQ and etc...

I've been going directly or through a tube amp/compressor to 1/4" and then done final processing afterwards.



Best Regards,

You're right - There is no right or wrong answer.



*Typically* what might occur is this -



(1) Clean-up & corrective EQ (buzz, hum, overtones, VDO noise, etc.)



(2) Compression



(3) "Shaping" EQ



Of course, that's not a rule, but it's fairly typical. No sense in compressing video noise or low-end overtones - You won't be able to get rid of it afterward.



The shaping EQ is a totally subjective thing, dictated by the needs of the mix. Sometimes it's better before compression. I tend to apply it after when I can.

I mostly have my eq before the compressor.

Hi,



I always (99% of the time) EQ before compression. Exceptionally, I will use comp first with "special mixes" if I do not want to use a Multi band comp.



Richard

I eq out anything that may drive the compressor (frequencies that may be resonant, or if I put on any filters I apply them pre-compressor), then I do some additional EQ after compression, then kiss a limiter (not much!) to make sure I don't have any overs.

This is how I often like to do it (if I use a full chain):



-Shaping EQ

-Gentle Comp

-Notch filtering and/or very broard band EQ

-Comp

-Limit



The shaping EQ and Gentle comp react together as a soundbase of how I would like to have it sound like.

But I often find it better to take one or two thing out of the chain...



Best Regards,

Are you compressing 2 different times and then limiting?



PS I EQ before compression in most cases. If the eq is bad the comp won't react properly.

Yes, I sometimes use a gentle varimu comp(Max. 1db) only to give some color and then a digital comp and limiting.



Do you always use one comp stage before limiting?

A lot of times I use 2 compressors, 1 for color or vibe, 1 for controll.

I can't think of anything I've used 2 compressors on . By definition a limiter is a compressor so I guess were talking about 3. I do ofter use a compressor for dynamic control and then put Limiter and the back end for catching overs.

Well, if you also add a desser as a compressor it would bring it up to 4. Sometimes a little tube saturation and that would be 5? Tape compression 6? transformers 7? these are what I mean about color and vibe and control. With all digital mixes, I find that I use some of these things to add a little color or vibe, others to control. Analog mixes have already gone through many of these processes and don't need it, maybe just a little control.

Depends on the material. Sometimes I use none.