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Just currious to see how many of us download songs or file share (from sites like napster). Feel free to comment...

Comments

audiokid Thu, 09/18/2003 - 10:07

I never do because I feel this is a big reason why we're not seeing more new bands being signed. I look at this as stealing. So far I stand by this.

I think the public needs to be educated.

Where are we headed?

anonymous Thu, 09/18/2003 - 12:05

In the spirit of this poll, I answered no, because I do not use P2P file sharing services.

However, that does not mean I do not download music. I do, but from artists that choose to allow it. Generally, these are people who have their own home studio and release their stuff as files (occasionally you can even buy a CD) to an Internet audience.

I'm sure we're all familiar with Mp3.com, but there's also the Internet Underground Music Archive (iuma.com) and Ampcast.com. I've found some great artists this way.

Truthfully, I feel the reason the current music market is failing is because of labels turning out the same old pap over and over and not taking risks. I'm tired of it, to the point where I can't stand the radio anymore, except to listen to some of my favorite NPR shows.

Just my two cents.

EDIT: This was my hundredth post! Do I get a cookie? :D :D

audiokid Thu, 09/18/2003 - 13:22

Kudo's on you 100th! Keep on truckin.

It seems labels don't take chances because of the loss in revenue because from tape, CDR and HD. If no one could third party dup there would be way more capital for new artists. I think this is why major labels are pumping out generic sounding music. It sells so I guess this is why they keep on producing it. The sad thing now is it's breeding more and more of it.
Piracy must have a lot to do with this problem.

anonymous Thu, 09/18/2003 - 15:24

Sometimes I download music.... but I do it for two main reasons:
1. It's a song that's not available in any store.
Not released or completely sold out. I would buy it if I only it was available.
Like some of the songs from my old worn-out vinyl collection.
2. To listen to an artist that I've only been reading about... to see if it's something I'd like to buy..... because it is impossible to hear new music on the radio here that isn't "mainstream".
So I use it more like a "radio".
If I like it I'll buy the CD.
I don't make my own CD's out of those songs.

I've found many great artists this way... and bought their CD's .

Sayng that piracy is the whole truth about the drop isn CD sale is a lie.
Even among people that never download or copy CD's the salas has dropped ~30 %... and that is mainly because the labels has a passion for money and no visions about music and artists.
When I listen to some of my favourite albums from the 70's, I realize that these artists would NEVER get a record deal if they had started today.
Tell me wich big label would today release something like:
Early Genesis
Frank Zappa
Gentle Giant
Early 10 cc?
It was an adventure to go to the record dealer and listen to new music in the early 70's.... because even big labels released records with very much "artistic freedom".
That doesn't happen today.

anonymous Thu, 09/18/2003 - 15:56

I think this is why major labels are pumping out generic sounding music. It sells so I guess this is why they keep on producing it. The sad thing now is it's breeding more and more of it.
Piracy must have a lot to do with this problem.

I'm not too sure I agree with this. I saw the pattern of "regurgitated pap" happening from the main record labels as early as about 95, long before file trading really took hold. In fact, it was about that long ago that I stopped listening to commercial radio.

It is possible we may be seeing a "vicious cycle", where homogenized music begets more file swapping which begets more homogenization.

As for my part, I intend to encourage file trading of my music. I'm a sort-of retro-prog rocker type, and I have no hope of any radio exposure or in-store distribution. My best bet for self-promotion is the Internet and free file swapping in the hopes that I gain fans willing to buy merchandise (not just CDs) to support an artist they like.

Will it make me a living? I have no idea, but I would like it to. But if it doesn't, will I have fun? I'm willing to bet I will. Isn't that a worthy goal in and of itself?

EDIT: Added quote to make it clear who I was replying to. Sorry for the confusion.

anonymous Fri, 09/19/2003 - 02:33

I have a "sour" feeling about this whole deal. I feel that the record companies have destroyed themselves by never "embracing" the internet!
And Also, for never dropping the price of a cd.

This is a media that has been around for 20+ years and opened on the market at $16 and is still there today. This is terrible, when I can buy a spindle of blanks for $15 (for 50).

I am all for the artist making money, and always will be....because I have 2 cd's for sale in stores around the country.
But I don't necessarily discourage P2P sharing, because it Does get your product "out there".

And for the people that don't know that an MP3 is the Worst possible audio quality (which is most of the public), they should be educated to know and hear the difference, between a .Wav and an Mp3.

These new companies trying to sell online music for a dollar a song should be shot!! I will not pay any amount for an Mp3 quality file....never!!

Just my thoughts, and I'm fully involved in this whole process. I really think it's the fault of the "source", the record companies!

Mike

anonymous Fri, 09/19/2003 - 06:20

Yeah, it's just soo untrue that labels don't have enough money for artists. After all the artist just get's a very, very little piece of the pie. The label could very easily release the same amount of music. It would just take for these hotshot label dudes to earn a few hundred thousand dollars less a year. Which they are stealing from artists anyway. Here in Holland we had a band called Volumia. They sold millions of records and they maybe earned like 25 million with it. Still the total band (9 ppl) only received 100.000 to share. Where is the rest and who is the real thieve??? And this is by no means a unique story. It happens all the time and more then we might believe. That's why i just don't fall for the loss of revenue crap.

I'm against theft of any kind, including illegal music but these cries are just so stupid and not appropriate. Back in the old days ppl would copy cassettes all the time. Now it's mp3 and more visible but i really don't think anything has changed at all.

anonymous Fri, 09/19/2003 - 10:21

I do not download music, though I often copy CD's from my friends. For me a morality vs quality issue, for someone to have the nerve to take a full album or singles or songs or whatever and make it avalible to millions of people in a mater of seconds takes some balls. I constently get in arguements with my friends over this matter and usaully ends with tying music to free speach and our ammendment rights. Most people think artists from labels get paid mega bucks and have so much money, and it doesn't effect the artist but rather the label, and also people don't understand how much money and time are spent into making a "quality" album. I see most of my friends in college downloading full albums but they always buy the albums after they find it in the stores, than I have other friends who have not bought an album since audiogalaxy and napster went up, also he refuses to buy any cd's unless there album bootlegs that he buys off a corner venders 3 for $10.

Rod Gervais Fri, 09/19/2003 - 10:33

Originally posted by missilanious:
I do not download music, though I often copy CD's from my friends.

What's the difference?

Getting a copy with out paying is getting a copy without paying........ i must be dense or something........... :confused: :confused: :confused:

Rod

anonymous Fri, 09/19/2003 - 10:59

I'm inclined to agree with Rod here, and I'm one of the first one's you'll hear say "down with the RIAA!" ;) I feel that if an artist or company doesn't want their songs traded in the public arena, then fine, don't trade them.

What this will do is open the door for independent artists who are willing to be much more liberal than the labels. Face it, the only thing that will stop a new business model (one favoring the indie artist) from emerging is if they lobby Congress to create a compulsory licensing law forbidding anyone who creates IP works from sharing them freely if they so choose. If they try to pass that kind of law, I will be at the forefront of the public outcry.

falkon2 Mon, 09/22/2003 - 07:35

Chris, I'm going to have to disagree with you a bit there. It seems to me that the cause and effect are a wee bit reversed here. Now, the brainless, egotistical, self-centered teen population aside, I feel that people aren't as willing to dole out money for music BECAUSE they're pumping out generic-sounding trash, rather than the other way round. Piracy stems out because of this. Well, of course, not all of it, but I believe that this plays quite a large factor. I'm not discrediting the ease of piracy today vs yesteryear - Just saying that it's not THE primary reason.

Owell, back on topic - To answer the poll in the strictest sense, no. I avoid P2P programs like the plague, so I suppose it doesn't count. I've amassed what one might call quite a reputable collection of video game music over the years, though. Most of which are done by artists who would sooner get their music out to people than start to care about the money. (Yes, I'm blatantly generalizing here. Woops).

I DO buy the occasional album from time to time, when they become available where I stay, and not solely because I "want to support the artists".
Of course, that I do, but I know the other virtues of having the printed CDs rather than the duckcrippled renditions that you get after the amazing music has been brutally smashed into MP3 format.

Might be a slightly off-tangent discussion, but video game music in itself has evolved from the annoying little bleeps and bloops of the 80's (back then, musicians in the field didn't know crap about the CPUs and ICs and hardware engineers were tone-deaf) to a very diverse "genre" of it's own. Heck, I wouldn't even call it a genre, as it encompasses almost all types of music. Electronica? Megaman. Check. Orchestral? Final Fantasy. Check. Heavy Rock? Guilty Gear X. Check. Rap? Sonic Adventure 2. Check.

Whoa. I actually think I should be starting another topic. Way to go off tangent, falk. :(

pmolsonmus Mon, 09/22/2003 - 09:44

I have never downloaded a song and don't intend to, but I'm wrestling with this idea with my 11 year old son who is just now getting into the whole pop music world. "All of his friends are doing it" :roll: and he would like to as well.
Help me make this argument so that a very bright 11 year old can understand it. I agree stealing is stealing- Have you tried arguing with an adolescent? Who is hurt by the theft? What short term / long term negative impact will be caused by the theft?
Are MP3's killing the pop music world? IMHO, I think MTV in 1981 struck the initial blow to creative,exciting, interesting stuff. We all accept video as a viable art form to some degree now. If you're creating music for art's sake and wish to survive it has ALWAYS been difficult. Don't blame thieves for a lack of new,interesting artists- with the web, it should be easier than ever to have access to a mass audience. The challenge is figuring out how. You can't solve today's problems with yesterday's thinking. If you want to be popular get ready to sell your soul for publicity and marketing, they're still interested in selling lots of units of the daily pap.
BTW in a similar vein, Hal Leonard Music publ. is located in Milwaukee they are watching the print media copyright very carefully and have JUST photocopy it for educational purposes. I've heard of music teachers losing their jobs and 20K fines being levied on schools. Ouch!!

Rod Gervais Mon, 09/22/2003 - 10:21

Originally posted by pmolsonmus:
but I'm wrestling with this idea with my 11 year old son who is just now getting into the whole pop music world. "All of his friends are doing it" and he would like to as well.

Help me make this argument so that a very bright 11 year old can understand it.

PM,

I have 5 children, and have never argued with an 11 year old.

You can try to explain to him that it's wrong.... that taking something that doesn't belong to him is stealing...... and that although his friends may be doing it - doesn't make it right.

However in the end - sometimes - with a parent - it ends up being - "just because i said so".

If he were to get caught (and they really seem intent on doing this) you are going to be the one shelling out the cash to pay for it.

When my children used to look at me and say "well all my friends are doing it"...... i would respond with "then their parents must not be very bright"........ and i never felt that i had to go beyond a reasonable attempt to explain anything to my kids........ sometimes it ended up being just - "hey - when you grow up you can do anything you want - until then i am in charge".

I understand in this "enlightened age" that everyone wants their children to be on the same page they are....... but it is very difficult to reason with a child when they see other children doing what they want to do.

I know i haven't helped much with this - haven't found the magic words that will make the light suddenly go on in your child's head.... but i don't honestly think that the words exist.... if they did - you (who know your child like no one else does) would certainly know them better than i ever could.

One thing - you asked how to explain "Who is hurt by the theft? What short term / long term negative impact will be caused by the theft?"

None of that is relevant... if your son were to steal a penny from a multi-millionare.... it would not hurt the man whose penny he stole - it would not cause him any short or long term impact - the only negative impact would be to your child.

Him developing the thought that taking that which is not his is OK - just because he can't see any impact on any one elses life in the long or short term - that in the long run - hurts your child.

As a parent - we should not want that to happen.......

Good luck,

Rod

pmolsonmus Mon, 09/22/2003 - 11:29

Thanks Rod,
I'm not trying to justify the stealing, I'm trying to truly assess who (if anyone) is hurt and what truly are the long term ramifications. I know I'm not responsible for the music industry, but I am responsible for my son. The long term ramifications of his not learning right/wrong or theft/purchase is a responsibility I (as one parent who gives a damn anyway)take VERY seriously, even if every other parent could care less. At least I can direct him to this website where he can see I'm not the only one. :) I agree that sometimes as a parent we have to suck it up and say "Because I said so", "That's life, get over it", "Because its the RIGHT thing to do" and a lot of other things. I just hated hearing that growing up and somehow want to give better answers than I got. :confused: I was hoping for some here. Maybe those are the truly BETTER answers??? And people think mastering is hard!!!!
Phil

UncleBob58 Mon, 09/22/2003 - 11:50

Here we go again-

One more time-

Stealing is stealing. People who steal belong in jail.

Yes, the media companies make billions. That is their function, to make money for themselves and their stockholders.

If you don't like the way that they make money, do not support them. Don’t buy their stock. Don't buy their CD's and DVD's. Don't read their newspapers and magazines. Don't log onto their web sites. Don't watch their television networks or listen to their radio stations. Don't use their cell phones. Don't play their video games.

Sounds unrealistic? Of course it does. We live in a media driven world. That’s the business we’re in, supplying services to the media.

As far as the blandness of music these days it is a reflection of the corporate mindset. DO NOT TAKE RISKS. Risk means the chance of failure. Failure in the corporate world means loss of revenue and, more importantly to the person(s) taking the risk, the loss of prestige and/or their job and the perks and income that go with it.

How many of you remember back in the mid/late 90’s with all the large media companies jumping on the band wagon buying up independent record labels in the post Nirvana frenzy? The idea was to purchase already established “new” sounds without the risk of developing it themselves. It just turned into another feeding frenzy that earned them nothing after the initial splash and led them further away from risk taking.

As far as bands getting screwed by the record companies, it’s a very old story. It usually comes down to inexperienced people not seeking the proper legal advice.

The argument comparing cassette copies from vinyl albums vs. .mp3 file sharing is completely fallacious. I didn’t see 100,000 people lined up outside my friends’ house to get a copy of the latest Who record. And with a cassette copy there was a marked denigration of quality, with the quality deteriorating every time you copied from cassette to cassette. Even the records and cassettes themselves deteriorated with every play. Completely electronic media does not deteriorate in the same manner. It allows for endless duplication without any loss of quality.

Uncle Bob

:p:

KurtFoster Mon, 09/22/2003 - 12:55

I download songs but only ones that are not comercially available. If there is a CD that comes out that I like, I purchase it. I think that anyone who has ever tried to make a living playing music understands that downloading is stealing. Blaming the record companies for putting out a stream of crap is only a justification for an unethical action. Sort of like saying it's ok to steal from the cable company or to file a false insurance claim because "They can afford it." It's just an excuse for doing something that you know is wrong.

I have to disagree with the idea that "generic sounding crap" is a contributing factor for downloading. Like "it's so cruddy I won't pay for it, but I will steal it!" That is like saying that car is such a piece of sh*t, instead of buying from the owner, I'll just take it for a joy ride. Personally, I simply don't want it. If it's good enough, I'll purchase it.

It was mentioned that since the price of blank CDs has dropped, so should commercially produced CDs.. I don't see the connection. I doesn't cost less to produce a CD or to promote it now than it did fifteen years ago. It costs more.. Everything costs more. I personally don't think $15 or $16 is too much to pay for a CD. Now days you get far more music on a CD than you ever got on a vinyl record. Yeah it costs twice as much but if you figure in inflation and the extra music you get on a CD, I would bet that it really is a better value. Really, some people should just stop being so cheap. This constant search for something of quality at little or no expense (free lunch) is ruining the whole music business, from the manufacturing and marketing of equipment to the retailing of commercial music. Maybe the music isn't as good, so don't buy it. At some point, the record companies will realize that they need to develop better acts to sell more music. As long as they have a "safe" market, with proven product, they will continue to exploit it. wouldn't you? Kurt

Rod Gervais Mon, 09/22/2003 - 13:05

Originally posted by pmolsonmus:
The long term ramifications of his not learning right/wrong or theft/purchase is a responsibility I (as one parent who gives a damn anyway)take VERY seriously, even if every other parent could care less. At least I can direct him to this website where he can see I'm not the only one. :)

PM - my friend - i could care less about the RIAA....... and i think that their tactic of going after the kids is a sign that they wield no power against companies like Kazaa...... because if they did they would go for the bucks...... this is a scare tactic to get parents to stop what they can't through other means.....

However - i raised 5 kids - and know the battle you have with this - and i came to the conclusion a long time ago that when my parents said that to me (and i too hated hearing "because we said so") it was because - in their wisdom - they realized that nothing they said was going to change the way i felt.

I really do believe that sometimes that is the right answer........

I respect the fact that you are a concerned parent......... we could use a lot more like you..... :c:

Rod

Rod Gervais Mon, 09/22/2003 - 13:11

By the way - for everyone involved...... i believe that there may be occassion where this might be OK...........

Suppose someone went out and legally purchased 3 or 4 hundred dollars worth of music over the years....... and Joe Geedunk (the thief) steals his/her collection - would it then be ok to obtain copies - or should he/she be forced to buy them all over - and in essence wind up paying again to listen to something they had already purchased?

I am interested in any and all comments.......

Rod

Sometimes things are tiny shades other than black and white.........

pmolsonmus Mon, 09/22/2003 - 17:44

Hey Rod - AKA concerned Parent, :D
I like the way you think. However, while I think that the person whose collection was stolen might feel justified morally and ethically, technically I don't think he has any legal standing (especially if he filed an insurance claim - then NO F'in WAY!!! He bought it once, it was stolen. Life sucks, file a claim, file it as a loss on your taxes, and his losses are covered. However, if he made a copy of those recordings beforehand and kept them out of the access of Joe CD thief, I think he's ok.
I would advise that everyone with a valuable recording collection make a legal back-up of their collection for archival purposes. I'm pretty sure that this falls within the fair-use domain of copyright law, in fact, I purchased a CD duplicator just for this purpose. I couldn't afford to replace difficult to find recordings of valuable things I use in my classroom .I still want to allow students to listen to great music at home so its kind of necessary. It's a great tool and has really paid for itself in mimimizing lost, damaged or stolen Cds and I can sleep at night.
Keep up the fight- this is becoming a great thread!

pmolsonmus Mon, 09/22/2003 - 17:56

By the way, I just reread my post and want to make it a little more clear - I make the copy of MY purchased recording and LOAN out the copy to the student for them to listen to and return. I don't give them copies or even have them make copies, although many eye my duplicator with $ signs in their eyes. I get asked at least a few times a week if they can borrow my machine, but I've maintained a very strict hands off policy with them. Their ethics are often quite slippery.
Who'd a thunk, teenagers with loose morale fiber? :eek:

Rod Gervais Mon, 09/22/2003 - 18:09

Who'd a thunk, teenagers with loose morale fiber?

LMAO............ ;)

falkon2 Mon, 09/22/2003 - 22:16

Heh, Kurt, just to clarify one of my opinions here.

Bad music == sales go down
Sales go down not necessarily == primarily because of downloading

also

Bad music not == causing piracy.

I'm not saying that generic sounding crap and piracy are related. I'm saying that both are (unrelated) factors contributing to the decline of sales; and that the... genericness and blandness... of the music is sometimes totally overlooked because RIAA had the preemptive strike of pointing all eight fingers hard at piracy and crying foul play.

KurtFoster Tue, 09/23/2003 - 01:01

I think there may be other factors that come into play as far as CD sales. The record companies are complaining about mostly the past 3 years and the whole economy has been in the dumper for this whole period. Less discretionary spending. There is also a lot more free entertainment on the TeeVee not to mention with home theaters HDTV and surround sound the whole home entertainment experience is getting better each day. This has to impact record sales.

I agree that the quality of the acts could use a boost but the whole music scene has splintered so much in the past 10 years that one persons "best record ever" is sh*t to a lot of other folks. I personally hate most RAP, Metal / Heavy music and almost any kind of electronica – trance / dance but that doesn't mean that it is not of value, it only means it is not my cup o' tea.

So what is the answer? There may not be one. Things are different these days than they were in the past. Perhaps the best thing would be to let the music industry as we know it, collapse upon its self. Then it could all start from scratch. With the loss of the originals like Johnny Cash and Sam Phillips in the past month who will take their places?

Record companies were, in the fifties and even sixties for the most part, small operations with opportunities available for almost anyone. A guy like Sam Phillips could cut a record and then physically take it around to all the local radio stations to coerce, cajole, and bribe the Dee Jays to play it. Now days just try to find a local radio station. It's the digital age my friends. A new dawn has come with a new way of doing business. I think the solution lies somewhere in the record companies embracing this new technology, instead of trying to fight a losing battle.

anonymous Tue, 09/23/2003 - 09:13

Originally posted by Uncle Bob:
Stealing is stealing. People who steal belong in jail.

Do you guys realize that in many countries in the world a fee is charged on each blank CDR purchased and that the fee goes to pay copyright holders for the music that is presumably going to be copied onto those CDR's? In those countries, copying and downloading music for personal use is perfectly legal and copyright holders get compensated.

So, there *are* alternatives. Suing 12-year-olds or putting them in jail isn't the only solution.

anonymous Tue, 09/23/2003 - 10:36

1) DOWNLOADING IS NOT ILLEGAL (Have to place emphasis on this, as it's a nasty misconception that affects us all negatively)

2) P2P Applications are NOT illegal

3) Only the act of copying/distributing copyright material that one does not have permission to is illegal activity.

4) Artists place their material on the internet to be download and shared REGULARLY. Typically, these artists are independent. The major industry would have this made illegal, as they do not profit from it. The indie artist sees it as a great tool for exposure, and use it regularly.

Those of you who say you have not, and never do download, are quite frankly fibbing! You do all the time, and legally! It's no different than listening to the radio, or turning on the TV.

As far as those who are copying/distributing copyright works without permission, you're thieves!

W.

Rod Gervais Tue, 09/23/2003 - 10:47

Originally posted by jroberts:

Originally posted by Uncle Bob:
Stealing is stealing. People who steal belong in jail.

Do you guys realize that in many countries in the world a fee is charged on each blank CDR purchased and that the fee goes to pay copyright holders for the music that is presumably going to be copied onto those CDR's? In those countries, copying and downloading music for personal use is perfectly legal and copyright holders get compensated.

So, there *are* alternatives. Suing 12-year-olds or putting them in jail isn't the only solution. Well - those of us really concerned with this don't live in those countries - so here - it's stealing - plain and simple - and until the laws change - it will remain so..........

Waldo - understood - my concern is the illegal deal......... :D

JR - as i said before - i don't like what is being done - it shows how really weak the RIAA is - they can't go for the meat - so they chase potatoes.......... they are generating about 1500 a pop from Moms and Dads - because they M&P's can't afford to fight them - easy pickings these people.... although ultimately they are responsible for the actions of their children.......

But it is still not legal.... no matter how i despise what they're doing - i don't believe in Robin Hood..........

Rod

Rod

anonymous Tue, 09/23/2003 - 11:17

Originally posted by Rod Gervais:
Well - those of us really concerned with this don't live in those countries - so here - it's stealing - plain and simple - and until the laws change - it will remain so..........

As I understand it, the owner of this board (who is the guy who asked the question in the first place) lives in one of those countries. So does TheRealWaldo.

KurtFoster Tue, 09/23/2003 - 12:15

What the RIAA is doing is about the same thing the government does with drugs. They are going after and punishing the end users, hoping to affect the demand. As we have all witnessed, this approach doesn't seem to be effective. I didn't know the RIAA has instituted a "tax" on blank CDr media. I know they tried to do this with DATs and in a way I sort of think this is a good thing for consumer use but not for pros who are generating original material. The rub lies within how they distribute these funds. I think they do it more or less like BMI does it, which is to dole the cash out to the big players while the little guy like me never sees a cent, even though I have records that are available in Tower and at Amazon dot com, world wide. Now I not complaining about not getting anything from the RIAA but I am saying it is more of the same. The rich get richer while the poor get poorer. It seems there would be more equity to the situation but I imagine that the expense of doing all the book keeping is prohibitive.

I personally have no bone with services like NWR that provide an outlet for the independent producer to show or market their wares and I have to say that W. does a good job of policing his site for copyrighted material, but I do think that downloading commercially available, copyrighted and published works is ethically wrong.

But prohibition is not the answer. What will work better is peer pressure. If every time a kid plays a CD he downloaded for free off the net he gets told he is a thief and he has done something wrong I feel at some point this will all become a non issue. This is a moral issue more than anything else. But like drugs and alcohol, you can't legislate morals, you have to instill them.

anonymous Tue, 09/23/2003 - 12:35

Originally posted by Kurt Foster:
I didn't know the RIAA has instituted a "tax" on blank CDr media. I know they tried to do this with DATs and in a way I sort of think this is a good thing for consumer use but not for pros who are generating original material.

The RIAA didn't institute it. Various governments have. And I think there are usually exemptions for pro users.

My point is just that there are other potential solutions to the problem. The automatic answer here in the U.S. anytime somebody is being wronged is to sue or put somebody in jail. Let's be a little more creative than that. Let's look at what others are doing and perhaps learn something.

KurtFoster Tue, 09/23/2003 - 13:09

As far as the blank DAT tax, the RIAA was the main instigator in the attempt to get that legislation approved in the early 90’s. I suspect that if we were to ever see something like that for blank CDrs in the U.S., the RIAA would be the ones driving that too. But that still wouldn’t address the issue of when an individual D loads something to their hard drive and then shares it with the whole world. I think there should be a charge billed by the site or perhaps the ISP for downloads of copyrighted material that contains some type of a digital “copyright flag”. D load a Beatle song, you get a billing on an established account or maybe your credit card is charged. No credit card or account? No download!

I agree that solutions other than suing, incarcerating or fining individuals should be explored but on the other hand, there needs to be some teeth that come back and bite one on the ass for engaging in rampant file sharing.

Complaints that CDs are too expensive just don’t wash with me. It seems we have come to a point that everyone expects to have all things without the associated costs. Especially things related to entertainment. I don’t see anyone complaining about the cost of autos even though they are a lot more expensive than they were when I was a kid. In the 60’s a new Chevy or Ford sedan cost about $2500! And we all know “they don’t build them like they used to”. Does this mean it’s ok to go out and steal one now because they are built cheaper and cost 35 grand??? I don’t think so.

KurtFoster Tue, 09/23/2003 - 13:51

That is some good stuff JR. The suggested solution seems to be a good one. But what about producers of original uncopyrighted material (home and professional producers of music)? Why should they be compelled to pay a tax on blank media? That is the main problem I have with that approach. It is the same issue I had with the RIAAs wanting to tax DATs in the early 90's.

I also found it interesting that at the bottom of that page there's a hyperlink labeled "click for reprint permission" ... it seems the publisher of that article is interested in protecting their copyright of their intellectual materials.

pmolsonmus Tue, 09/23/2003 - 18:42

Kurt,
Your solo act seems to need a figure 8 mic :D
How can you complain about a tax on blank CDRs and in your previous post claims:

everyone expects to have all things without the associated costs. Especially things related to entertainment.

Now, while I don't disagree with your basic premise and really appreciated jr's link (everybody should read it - it makes some great points) You can't really point fingers at people who complain about the costs of recorded CDs and then complain about the costs of blank Cds for your business/hobby. If it costs your business $, do what everybody else does - pass it on down the line. The consumer consumes. Is it right? ethical? unfair? taxation w/out representation? probably all of the above. Wanna hold a party in Boston harbor? :D

AudioGaff Tue, 09/23/2003 - 19:28

Originally posted by Kurt Foster:
As far as the blank DAT tax, the RIAA was the main instigator in the attempt to get that legislation approved in the early 90’s. I suspect that if we were to ever see something like that for blank CDrs in the U.S., the RIAA would be the ones driving that too.

There is a tax for blank CD's. These being audio specific CD-R's. People just get around it by buying and using computer data CD-R's for audio. And that tax still applies for blank cassettes as the RIAA claimed doom over copying records to cassettes in the 80's.

anonymous Tue, 09/23/2003 - 19:39

All material is copyrighted the moment it is created. This includes that which is made by home recordists.

W.

jdsdj98 Tue, 09/23/2003 - 20:22

Warning: Unauthorized reproduction of this recording is prohibited by Federal law and subject to criminal prosecution.

It's on every commercially available CD you've ever bought. Can't argue with that. Can't blame someone for finally making good on it, at least from a legal standpoint.

File sharing of others' intellectual property is undeniably illegal. Whether the RIAA is making the right move or not from a PR standpoint is not the issue. The fact is that it has every legal leg to stand on to do so based on that fine print.

audiokid Tue, 09/23/2003 - 20:44

Originally posted by TheRealWaldo:
1) DOWNLOADING IS NOT ILLEGAL (Have to place emphasis on this, as it's a nasty misconception that affects us all negatively)

2) P2P Applications are NOT illegal

3) Only the act of copying/distributing copyright material that one does not have permission to is illegal activity.

4) Artists place their material on the internet to be download and shared REGULARLY. Typically, these artists are independent. The major industry would have this made illegal, as they do not profit from it. The indie artist sees it as a great tool for exposure, and use it regularly.

Those of you who say you have not, and never do download, are quite frankly fibbing! You do all the time, and legally! It's no different than listening to the radio, or turning on the TV.

As far as those who are copying/distributing copyright works without permission, you're thieves!

W.

Hi all, I put (napster) as an example here because I was hoping we would see the difference from actual selfpromotion or stealing copyrighted music. Sorry I'm not the best writer at times so I blame myself for the miss interpretation. My question was nothing to do with musicians sharing their work online. I'm wondering if anyone here downloads "© music"? What other sites are like Napster? I would imagine that a site like RO would not be the best place to ask this because we are a closely effected by this in some way or another right? However, some of you don't think so. Man, I sure think it's effecting the cash flow.

From this I plan on finding a large forum out there and asking this same question sometime to get a more "non bias" discussion happening and possibly beginning to educate the public from it. It all starts by effort. Everyones comments now will help me or us better prepare for the mission I'm on which is... downloading © music and sharing it.

I can say I have never downloaded one song from sites like napster. I don't even know how it works. That doesn't make me perfect though. I'm just currious because I have friends that do it all the time. Because my community here knows I'm a "internet guy" People ask me to do it for them that want songs for a wedding as an example. They say, "It's on the net, can you find it and change a few things for our wedding Chris?" I'm wondering all the time what's happening to the music business and if people know the impact this is having on it all. I think its a very big problem.
I do love the music out there, even the songs that a lot of my friends think is crap. I love electronic music and technology. Technology has given me the power to harness the deep sounds in my mind. Without that i would never know what I know I'm capable of today. Music is heading in a very interesting direction. I'm loving it but I see a tough road ahead if ya want to make real money at it. I think if we all talked about it more we might get a better handle on it. Better prepared and less mistakes. Maybe we are sitting on a gem.

KurtFoster Tue, 09/23/2003 - 21:03

Originally posted by pmolsonmus:
Kurt,
Your solo act seems to need a figure 8 mic :D
How can you complain about a tax on blank CDRs and in your previous post claims:

everyone expects to have all things without the associated costs. Especially things related to entertainment.

Now, while I don't disagree with your basic premise and really appreciated jr's link (everybody should read it - it makes some great points) You can't really point fingers at people who complain about the costs of recorded CDs and then complain about the costs of blank Cds for your business/hobby. If it costs your business $, do what everybody else does - pass it on down the line. The consumer consumes. Is it right? ethical? unfair? taxation w/out representation? probably all of the above. Wanna hold a party in Boston harbor? :D

I do just that as most others do also. And if I am going to copy a Beatle album to a CDr I have no problem paying the "tax" to the RIAA or other governing bodies. But when I am recording original material having to pay this tax, as you pointed out, amounts to "taxation without representation". It's like paying for a carnival ride that you never take. I think there should be a source for producers of original materials to purchase media tax free. I don't see why RIAA and the record companies should be paid for essentially nothing. I don't have any problem with them getting what they deserve but I don't see why they should reap a "windfall profit" for no reason. This is exactly the kind of issues that make people feel justified when they download music. The solution should be fair to all.

Rod Gervais Wed, 09/24/2003 - 05:46

Originally posted by TheRealWaldo:
All material is copyrighted the moment it is created. This includes that which is made by home recordists.

W.

Waldo,

That may be true in Canada, but is not true in the USA...

However - in the good old USA it is automatically copyrighted the minute it is in TANGIBLE FORM,

The following is taken directly from the US Copyright Office (i wonder if it's copyrighted?)

§ 102. Subject matter of copyright: In general:

(a) Copyright protection subsists, in accordance with this title, in original works of authorship fixed in any tangible medium of expression, now known or later developed, from which they can be perceived, reproduced, or otherwise communicated, either directly or with the aid of a machine or device.

So it has to be in some form or another "tangible".

For a song that would mean either recorded - or written AND scored..... otherwise the written words become copyrighted (as a poem would) but the arrangement (as a whole) does not.

If someone else were to take an arrangement that you made - but that you had not committed to tangible form - and they stole it from you - you really have no copyright - thus no protection.

Rod

anonymous Wed, 09/24/2003 - 05:49

I download songs from time to time. I burn CDs to play between sets at sound gigs that I do. To me this isn't too different than playing House Muzak from whatever service they subscribe to. (I know the services report exactly what they're playing. My CD's are very similar to some of the channels, just in a different order and "paced" for 1st break, 2nd break...) I prefer to play something that fits the bands better than pre-programed stuff. The venues I work at already pay ASCAP, BMI, et.al. for the right (license) to play music.

I can honestly say I don't download for personal use. If I actually like a tune I will go buy the CD. I like to get a complete picture of what the artist is doing and I like to support the artist. Besides by the time you download, burn, download and print out the jacket is it that much cheaper? I don't know what you guys make an hour but I have better things to do with my time......

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