I tested Neumann USM69 LDC Stereo microphone in XY cardioids config against Superlux S502 ORTF stereo SDC.

Now this is certainly not a fair comparison, but then, why not?

RODE LAUNCHES THE VIDEOMic ME-L FOR APPLE iOS DEVICES AT VIDCON 2018

June 21st 2018 PST, Vidcon, AnaheI'm California: RODE Microphones, Australian pro audio giant, announces the release of the new VideoMic Me-L at the world’s largest online creators Expo, VidCon.

Grammy-winning Classical Engineer Robert Friedrich gives us an in-depth look at the recording techniques used when recording "The Carnival Of The Animals" with the San Diego Symphony Orchestra. Friedrich relied heavily on ribbon microphones to achieve the desired sound quality.

By audio specialist Eddy B. Brixen

This is an interesting set of interactive demonstrations showing the effect of microphone positioning relative to a performer. All the extracts are recorded using DPA4006A omni microphones in A-B configuration in a good acoustic.

Working in a finished residential home basement shooting music instructional videos. I have a Shure SM58 on a mic stand just above the picture frame, aimed down at the teacher's mouth. I also need to have speakers on for the two musicians to hear their instruments (guitar and keyboard). I positioned the speakers on the floor pointing in the opposite direction of the video frame, i.e.

Recently we've had lots of topics on choosing mics, and the usual X is good and Y is bad result soon pop up.

Today I needed to record a double bass for a track in the works, but as I had some spare time I thought I'd go through the mic stock and try mics I'd not usually pick, just to see what happened.

I have a Sennheiser transmitter-receiver ew100 G3.

It's going into a Canon XA20 pro camcorder, into the Input on the Handle, which is set to Mic/Manual/flat (center). It's always worked fine for me until lately.

Hello,
I'm just getting started in the producing world.