Hello,
word on the street is that my live-streaming sound is a bit thin, and could be improved.
Here's the sound,
https://www.youtube…

I'm recording a bass direct into my DAW and getting a lot of clipping/popping/overloading, and I can't quite figure out where the problem is. To get the particular sound I want from this bass part, I have to hit the strings quite hard--harder than I normally play. Going direct into my Focusrite 2i2's instrument input, I would get pops on the pick attack.

Just received a licence for Samplitude Pro X6, in this video, I test the new features announced on Magix website.

Let me know if I should test something else !

I'm in need of some advice. I've recently taken a piano faculty position at a University, and have been given quite a bit of funding to use as I see fit and I'd like to dedicate a portion of it to a decent 2-mic setup. As a preface, I would like to say that we have an excellent engineer who has a ton of experience and an awesome equipment list. He's also a very busy man, and I don't want to bother him every time I want to do a bit of recording, especially since I tend to record at odd hours. To be clear, I do have plans for a solo classical album, and I will be exclusively going through him when I record it.

I have a trusty old Apogee Mini-Me pre-amp/compressor with drivers that don't work with anything beyond Windows XP.

For a time, I got away with using it via SPDIF  through my trusty old Egosys U2A - it's a cheap little USB Audio Interface which amazingly has both optical and SPDIF ins and outs and cost me less than $100 about a hundred years ago. (I know! Right?)

Monitoring with Magix Samplitude Pro X

In this video I show how I do my monitoring setups with RME Totalmix FX and also using Samplitude alone for those who don't have a virtual mixer for their interface. 

One of my Youtube Viewer bought a PreSonus Q2626, it seems to not have a virtual mixer and aimed to be driven by studio one..  I hope this will work with samp as well. 

Is it possible to record more than 4 tracks on the h4n in MTR mode?  I would think bouncing to on mono track would allow you to add 3 more overdubs, bounce again and add 3 more. I have a project due tomorrow that requires 4 violins, 4 violas, 1 piano and 1 vocalist. I cannot get the h4n to open the bounce file nor does it open when I change the name to trk1-00 (the default name for track 1).

Did covid kill recording studios ?

I did this video to open a discussion between us.
To hear from the viewers and anyone who can share how they feel and how they found their way through those ruff times..

Hi,
I need a small board for my home studio, I'm not using microphones, just synths and outboard.
These are the basics:
8 auxes (the more the better, the GL 4000 has 10 and I love this!)
at least 4 groups
at least 20 channels
good preamps
good metering is welcome
budget is 1500 Euro max