Ok so I've been learning a lot about this whole mixing game. I've done some mixes for some university projects and I'm starting to get somewhat of a hang of it. However, there's one thing that I can't quite decide on.
hey guys, i've started a home recording studio for almost 2 years now and i've managed to buy some decent gear(monitors, midi keyboard, maschine, audio interface and so on). I decided to do my own mixing and mastering for my own songs and i thought a mixer would be useful but i like to do it ''in the box''. I DONT like analog gear.
I use logic and in a perfect world I know exactly how I want to recall mixes. I would be able to freeze tracks with an I/o plug on it and I'd be done. However logic doesn't do this.
I can't record on aux tracks so that rules making stems when I route tracks to buses. Bottom line you can only bounce 2 mono or 1 stereo track at a time when bouncing in real time.
Hey guys, :)
Howdy!
I've just successfully finished a one song project in Vegas 12 due the kind assistance offorum member audiokid. Now I'm working on mixing a more complex project, and I really need to get my Behringer BCF-2000 control surface working.
The vision:
I will play to a click track emanating from a DAW. The DAW will be aware of a linear movement forwards through time (basically, a playhead moving through the session).
My question is about automation. I know how to use it and have before. But I was wondering, how much automation do the pros typically use? I'm including anything and everything - riding vocals, guitars, individual drums, reverb sends and returns, VST plugins, you name it.
Hi,
As explained, I have a nice clean Soundcraft Ghost 24 with Meter Bridge, and that old Transport Automation Section. It uses MMC Midi Machine Control to control any recorder so equipped. It also has automated channel mute, if I remember correctly.
It's been in a box in storage since 2000, so forgive any errors in memory.
How do you pan from left to right or right to left speakers on an audio selection in pro tools?
