Hi friends! Do you guys bounce your SD2/Wave 24 bit files at which setting: good / best / tweak head?
As faster dual processor computers have been on the market for a reasonable time and PT 6.x uses both processors, seems lots of people are preferring the tweak head setting.
hey maybe some one has a view on this
I'm using Cubase 5.1
and I'm about ready to bounce the whole project to
a two channel mix.
now Cubase is currently set at 32 bit recording at 44.1.
there is realy only a few audio tracks the rest
are Vsti which get rendered upon export.
Hey there guys...just a question about dithering and bouncing down from 24/48 or 16/48 to 16/44 during the mastering process. .what is dithering and should i play with the dithering programs in my logic and pro tools when bouncing down to final product. .or should i just let the Pro Tools/logic defined dithering do it's thing.
I have a really long (60 minutes) audio file in the form of 2 mono tracks in Digital Performer on my 600 mhz iBook in my 80 gig external HD. I want to bounce them to a single stereo track so I can then export it and burn it onto a disc. But every time I try to bounce to disc, the program freezes. Is it because to file is too long?
I have a really long (60 minutes) audio file in the form of 2 mono tracks in Digital Performer on my 600 mhz iBook in my 80 gig external HD. I want to bounce them to a single stereo track so I can then export it and burn it onto a disc. But every time I try to bounce to disc, the program freezes. Is it because to file is too long?
Just curious about your opinions on bouncing quality: Is the sound of the resulting bounced file exactly the same? I've noticed some difference between a single real time effected file and the resulting bounced file after applying DeNoiser. Haven't experimented too much, but it was noticeable the first time.
Which do you folks prefer? I just learned about this alternative to bounce to disk recently. Which one sound better?
Hi,
I've noticed a little silent space before the selection in the new created file when bouncing to disk. Is it always like that or am I missing something?
I work in a radio station and exact amount of time in productions is often required.
I have a 16 bit 48K session and instead of bouncing it to disk, I want to try to record it directly to a CD, via S/PDIF out into a Phillips CD burner. Is there a way to do this? Like a "dithering" for sampling rate? What do you guys recommend quality wise?
Hi folks. I posted a query re the quality of reverb- plugins on Julians forum.Greg thought it should be a Pro Tools topic and to post it here. Me, I'm just confused and want to be everybody's friend. I thought here would be good place to maybe try and follow up the stuff that relates specifically to Pro Tools, which is when all said and done, my own need.
