Hi friends! Do you guys bounce your SD2/Wave 24 bit files at which setting: good / best / tweak head?

As faster dual processor computers have been on the market for a reasonable time and PT 6.x uses both processors, seems lots of people are preferring the tweak head setting.

hey maybe some one has a view on this
I'm using Cubase 5.1
and I'm about ready to bounce the whole project to
a two channel mix.
now Cubase is currently set at 32 bit recording at 44.1.
there is realy only a few audio tracks the rest
are Vsti which get rendered upon export.
i have the option on export to up the sample rate

Hey there guys...just a question about dithering and bouncing down from 24/48 or 16/48 to 16/44 during the mastering process. .what is dithering and should i play with the dithering programs in my logic and pro tools when bouncing down to final product. .or should i just let the Pro Tools/logic defined dithering do it's thing.

I have a really long (60 minutes) audio file in the form of 2 mono tracks in Digital Performer on my 600 mhz iBook in my 80 gig external HD. I want to bounce them to a single stereo track so I can then export it and burn it onto a disc. But every time I try to bounce to disc, the program freezes. Is it because to file is too long?

I have a really long (60 minutes) audio file in the form of 2 mono tracks in Digital Performer on my 600 mhz iBook in my 80 gig external HD. I want to bounce them to a single stereo track so I can then export it and burn it onto a disc. But every time I try to bounce to disc, the program freezes. Is it because to file is too long?

Just curious about your opinions on bouncing quality: Is the sound of the resulting bounced file exactly the same? I've noticed some difference between a single real time effected file and the resulting bounced file after applying DeNoiser. Haven't experimented too much, but it was noticeable the first time.

Which do you folks prefer? I just learned about this alternative to bounce to disk recently. Which one sound better?

Hi,

I've noticed a little silent space before the selection in the new created file when bouncing to disk. Is it always like that or am I missing something?

I work in a radio station and exact amount of time in productions is often required.

The solution so far has been opening the new file again and cut the edges within the sample editor. Not so funny.

I have a 16 bit 48K session and instead of bouncing it to disk, I want to try to record it directly to a CD, via S/PDIF out into a Phillips CD burner. Is there a way to do this? Like a "dithering" for sampling rate? What do you guys recommend quality wise?

Hi folks. I posted a query re the quality of reverb- plugins on Julians forum.Greg thought it should be a Pro Tools topic and to post it here. Me, I'm just confused and want to be everybody's friend. I thought here would be good place to maybe try and follow up the stuff that relates specifically to Pro Tools, which is when all said and done, my own need.