Was simply wondering what amplifier I should get for my studio monitors. I do not have powered speakers nor do I want to buy them. Not sure on the specs on my 2 monitors but I'm surely going to need an amplifier w/ 2 outputs that would bridge out in mono to each speaker. This setup is strictly going to be for my home studio. They are Pulsar monitors and were given to me by a DJ.
Hi guys,
i love your forum, you gave me great advice, i hope my English is understandable...
ok, i am audio engineer in a teacher and i have to buy some mics for actors on stage.. someone told me about the Crown PCC-160 being an excellent choice for this purpose.
Im stuck again, i just bought a new sub to go with my klipsch speakers for my mixing station.
Speakers=klipsch wf-35's
Sub=tannoy revolution sub 1001
Power amp=crown 202 (no sub out).
The crown has speaker terminals out that are wired to the klipsch and it also has speakon output connectors.
Hi,
I'm actually a Bose user.Normally will use a Parraller Bose (2 on Left and 2 on Right for my small concert...I'm now looking for a New Amplifier to pair with my Bose...What's your recommendation?and my budget is around USD1k.What do you think about Crown XTi4000?
Type of Music Catogary:~ Pop Rock.
I'm thinking of retiring a rack full of venerable Crown amps (VZ5000, 3600 & 2400) and replacing them with something a bit more modern, such as MC2: http://www.mc2-audio.co.uk/
are these two really equals? someone told me that the specs were very similar and that when you are buying crown you are buying the name. we are comparing macro-tech and RMX here i suppose. i noticed the top QSC 5000 SV or whatever is 3RU as opposed to crown which is 2, any significance?
hi there, i have heard various opions on the crown cm-310 mic. some say it sounds just fine others say it sounds bad.what is the general concencus? does it really sound any worse than any other small diaphrame condenser mic (like the Shure beta 87's or Sennheiser e865)or is it just that some people prefer the sound of other mics.
Any tips on mic placement etc. please for recording bowed strings (folk fiddles, cello) with Crown GLM subminiature mics? Reason is I've got a some GLM-100s and a 200 for gigs, and I read that the Turtle Island String Quartet recorded their 1st CD using GLM's. For gigs I wedge the pop shield between the strings back of the bridge or velcro them to the bottom of the tailpiece.
ive done a little research and all 3 of these mics claI'm to give the most gain before feedback. i wondered if anyone had had any experience with them and which might actually do the job best and sound good doing it at the same time.
thanks :)
