Hi, In the past year, I've worked on a project called 'Everything Is A Remix'. In this mix, I wanted to tell a story about sampling and remixing and show how important is has been in the evolution of music. I ended up making the ultimate mashup, including 195 songs in a mix of 72 minutes. I would really like to get some reactions and feedback from you guys!
I don't subscribe to SOS so I can't read the whole article. If you've read through it, without over thinking this question, what are the top things you were left thinking about after the article?
http://www.soundonsound.com/sos/jan15/articles/inside-track-0115.htm
Hi Guys
Hey everyone,
Was looking to hear from some seasoned engineers on their approach, tricks, tips on the all important Eq'ing.
Things like their opinions on eq do's and donts..
Here are some of the things I've learned, my approach..
Criticism greatly appreciated!
Wow, check this beauty out. Samar MF65.
With unparalleled sound, attention to detail, and craftsmanship, the MF65 is an instant classic, combining State of the ART technology with a completely original and innovative design, the MF65 sets a new standard for High-End ribbon microphones.
I'm quite new to the whole audio engineering world. I've been in studios, I've watched people work on audio tracks, and I've always had a desire to start recording music on my own. Since day 1 I've had the general problem of money, I can't afford the highly priced equipment that many professional studios use.
I have one very simple question, would this signal path, if produced competently, yield vocals that to the untrained ear would effectively assimilate to vocal tracks heard in Top 40 music? Here's the signal path:
(Wall-foam'd closet) > Neumann TLM 102 > BLUE Robbie Preamp > M-Audio Profire 610 A/D Converter > Macbook Pro
Thank you very much!
I need help here! I have a RODE NTG-2, which I absolutely love due to its sensitivity. However, this sensitivity extends so much that wind is a big issue with this mic. I have the basic windscreen, and a Rycote softie (which functions quite effeciently in mid-breezes)...but I need to record in heavy winds.
Hello
I am looking for anyone who may know of any former soundmen who worked for the band Led Zeppelin during their concerts in the 1970s.
Does anyone know the synths John Paul Jones used on the Zeppelin records?
