Hey everybody,
I have recorded my songs in 24-bit, and as the last part of the process, as I am mastering, I am also using a 'UV22HR' plugin to convert into 16 as I create the WAV files. At least that's my understanding. However, I'm reading now that I should mix to the same bit rate as my session was recorded in.
Can someone offer a strategy for mixing-down a multi-track project, wherein the lead voice tends to get overpowered by the increasing mass of audio signal as a result of accompanying instruments being gradually added?
Hello all.
I have a project which contains a vocal track that has its volume elevated to the point of clipping - on purpose. It sounds really nice. When I play it in my program (Sonar 7) it sounds nice, at least. This is because the only track that is clipping is the vocal track, and everything else comes through clear when it does. When I export and mix down to a single stereo track, bad things happen.
When i mix down In Sonar 6 PE my final Mix down tone goes up and down. on play back thru Sonar everything sounds great. i'm mixing 26 tracks of audio with effects (eq, reverb, etc) down to a wave file. i think it is my processor but the indicator shows 20% cpu usage and 10 hard disk. i run a amd sempron 2800 with 2 gigs of ram my audio from guitar and bass record fine
just finished work on pro-tools . the masterlink has gone down for reasons unknown and is being repaired but a new project needs to be mixed down for mastering- what are the pros and cons on the equipment available to me
there is a fostex e-2 with 456 tape with only a dbx 224 for tape noise
I'm currenlty having trouble with the quality of mix downs in Cubase sx3, their not as powerful as what i'm hearing back during mixing (lacking stero space and power once played on other stereos etc). I also use a set of Sennheiser headphones as reference monitors whilst mixing to check placement etc etc
My setup includes
I am tired of mixing down to the Masterlink from PTHD.
Beside the option to go with the Tascam RA-1000, I am thinking about a stereo mixing down digitally to a DAW.
What is the best setup opinion? I am thinking about Mac/Peak Pro and Lynx EAS/EBU or RME or MINI MEoption?
any suggestion?
thanks
If you recorded all your tracks for your new song(s) in your own studio. And then wanted to mix them down at a real nice studio. With a high dollar console. Which way is the best way to approach the owner so that you will get the best deal.
If the drums have been recorded. And now it's time to mix them down. How do you use the kick mic as the trigger for the kick drum sample?
Or do you have to record with a trigger on the kick drum?
