I'm in the process of searching for a workhorse, multipattern tube mic to fill a sonic hole in my mic cabinet. The "hole" is in the low mids to mostly quality low end. In my search I've been torn between the classic 251, 67 and 47 sound characteristics. The uses will be the full range of male/female vocals, acoustic instruments and room mic. Not asking much right?
Hi,
I am trying to make buying choise for LCD aimed at vocal (including voice-over) recordings.
I have I question.. is it common-sense that multi-pattern should cost more then their unipolar variants?
Studio recording is always very important for the vocals. This is the key of one good track.
Hello all,
I'm looking to expand my capabilities by getting a multi pattern mic, and am leaning toward either an AT 4050, which I can get for $700, or a Royer r-101 which will run me $800. Because of their construction, they're different animals, so I want to get some opinions on which direction to head.
Refers to a type of microphone where the polar pattern of the capsule can be changed, either using a switch a changing out the capsule.
I own a Shure KSM32 which I'm quite happy with. I am considering getting a second one. However, I'm wondering what recording situations I'm going to short change myself on by not moving up to the KSM44 which has more available patterns.
