There are tons of discussions about these stereo techniques (RTF, NOS, XY, Decca tree, Blumlein, AB) but I did not see much with regard to the mix once used them after recording.
Hi.
I am going to record a concert of the 'Armed Man' in a large church.
The main stereo pair will be flown above+/- conductor position (MC930/ORTF)
Hello experts.
Misa got a question. How far are the mics placed from the soundsource when using the ORTF technique?
I tested it and noticed some phase issues.
This is the setup I used:
Recording acoustic guitar
Example in XY, How are you securing microphones in a shock mounts from moving out of from position?
I have a wind band recording I am working on (70 piece). While it is quiet, the room isn't that great, so the "hall" isn't helping so much.
I'm preparing my mix's for the choirs I just finished recording.
2 DPA 4011A in ORTF
1 Royer SF24 in Blumlein
1 Audix M1280 micro condenser for added detail
Any suggestions of how you blend blumlein and ORTF?
I've discussed this more than once but wasn't sure what mics I'd settle on and know how the room would sound with people in it until yesterday.
Recording 14 choirs over 2 days. Largest choir will be 75 people.
Small choir test
What are the pros con between ORTF and XY?
Thanks!
The ORTF stereo technique provides the recording with a wider stereo image than XY stereo and still preserves a reasonable amount of mono-information. Care must be taken when using this technique at larger distances, as the directional microphones exhibit proximity effect and will result in low frequency loss. You could add low frequency with an Equaliser to desired taste.
Hello,
wonder if you could give some feedback on the below Choir recording. This was done during a rehearsal yesterday in a midsized stone church (Reverb around 2.5 sec) with a pair of MKH8040's in ORTF
The concert is on Sunday so hopefully with your input, I can improve on the sound some more!
