What justifies the high price of some small near-field monitors compared to others? For example, the Klein+Hummel 0110's vs the Dynaudio BM5A's. On paper, the specs look similar to each other and I've read rave reviews about both. But the K+H's cost twice as much as the Dynaudios. What is it about the K+H's that gives them their higher value? Thanks.

Chris

Yesterday I did some simple recording duties for a live act (10 people with 3xvoc, 2xgit, tp/as/tb, b, dr, el-perc). The place they played had the usual setup of microphones available (meaning for vocals a choice of SM58, SM58 or SM58).

What determines the rate you should charge?

Is it the amount of money that you *can* get? Or is it the amount of money that you *deserve* to get, based on industry standards and your equipment, experience, location, and skill?

Hello Everybody,