Glynn Johns/Recorderman with SM58s?
I don't have condenser mics, can expect decent results with two SM58s? Board is an M-308 into a Delta 44. Was planning on recording it dry.
I don't have condenser mics, can expect decent results with two SM58s? Board is an M-308 into a Delta 44. Was planning on recording it dry.
I can't quite make the "RecorderMan" overheads setup for drums (Glyn Johns-inspired modified spaced pair) react like it's supposed to. I've seen lots of pictures on the web and the now-famous YouTube video, but nothing very detailed. If anyone who's had success with this setup could take pictures, or has pictures they'd like to post, I'd appreciate seeing them.
Hi.. I'm new here! Came here via a link to the RecorderMan method thread. Just starting out with this whole home recording studio thing, and I'd like to try out the RecorderMan method on my drums. But I need some suggestions for some microphones. I need a pair of microphones that I can use for both overhead, and later for close Micing the snare/kick drum. (I only have two inputs).
Could you be so kind as to repost (for the millionth time!) the recoderman method for overhead drum mic placement. I've tried searching and have had little luck.
Thanks in advance,
-Migraine99
Hey guys,
Im new to the forums [posting, not reading :) ], and new to recording!
Id first like to take the chance to thank everyone keeping this forum up and running, This is a great source of information... Ill be making my donation in the near future! As it's well deserved..
I noticed he is not a moderator and has no recent posts...
people have mentioned that this is a good Micing technique, but I can't find the thread it's in.
can anybody help?
Yamaha SubKick Low Frequency Capture Device
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And you can also hear samples https://www.danwhit… here. Look for a link to the "Dan Whitaker Country Band"
So far everything I have done has been warming up for the recording of my project and I have a few very specific questions:
Hey all...here are some pictures of my NS10 Microphone. I went to a machine shop and had them add the bar that goes from one screw-hole over the magnet to the other one. This lets me mount it on a standard mic stand. Add this as a second mic to any other mic setup @ around -10db in level (at least, sometimes less) and you'll get an amazing modern sub low end added to your kick.