In 1978, when I was a grad student at North Texas, we were installing a new master control room for the College of Music. Back then, the discussion had to do with contrasting front and rear wall treatments. Our room was designed with a live front, monitors mounted on a wooden wall, with the rear wall deadened by at least three feet of soft insulation.
Hello! I have an impact noise attenuation question.
I'm setting up a converted garage to record voice. The room dimensions are 22'9" x 23'2", with an eight-foot ceiling.
I live near an industrial property that produces noise. In particular, there is the sound of a piece of industrial machinery at around 240Hz, and the back-up warning beeping of construction vehicles.
HI EVERYONE,
I am not satisfied with vocal tracking, it seems that I sing in a box and the voice seems as muffled. So if someone can refer me to a solution it would be great because this stiff turn me crazy.
Not all of us have a big drum room but still wants to record real drums. This little tip will help simulate a room mic being far away in a big room... It works if you record with 1 or 2 room mic. Let me know how it works for you when you test it or if it's already this way that you do it !
I am recording cello and piano in a small-medium size room that is too bright and live acoustically - I can't really treat it except to put a blanket under the piano.
What mic setup would you all recommend? I always used X-Y stereo on 2 small diaphragm cardoid mics and a large diaphram cardoid as spot mic up close (6 inches).
I'm planning to sound-isolate an already-converted garage built on concrete slab. I want to modify the walls to have mass-air-mass with two layers of drywall inside and out.
We're having lots of comments that seem to be stating an almost 'rule' that if you have noises in your recording space that you don't want in the recording, then you go dynamic, and not condensers - and it's been said in many topics that this is an established fact.
I would like some feedback. I just finished an iso room in my studio to track in. I’m a drummer and I will never have the square foot or height to track ambient drums. I’m ok with that and I’m fine with adding room post tracking. I guess the biggest challenge I face is getting the drums sound big enough for hard rock/metal projects.
Hello all,
I have started my journey (very beginning) of treating my mixing room in my new house.
Having a blank canvas which is great to get creative but I am trying to work out what the best approach is and would love some input from this forum!
Please find attached blueprint of the room.
