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Let us see which are the favorite plugins of our members.
My Top 15 list is:

1)Vintage Warmer, PSP
2)CB2, MC DSP
3)Amp Farm, Line 6
4)Pitch in Time, Serato
5)Chorus, TC electronic
6) Master X 5 Band, TC Electronic
7)Echo farm, Line 6
8)De-esser, Waves
9)Q10, Waves
10)L1/L2, Waves
11)PAZ, WAves
12)Power Dither, Digidesign
13)Mod Delay, Digidesign
14)LA-2A , BF/Digidesign
15)MC2000, Mc DSP

Plugin that I might be using soon: URS EQ/Comp, Melodyne, Waves SSL.

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Comments

pr0gr4m Tue, 02/28/2006 - 10:16

Believe it or not, I probably use the multi-band compressor that comes with Cubase more than anything.

I often get stereo tracks that I need to add parts to and the stereo mixes usually sound awful. I've got a few presets I made in the multi-band compressor and I'll throw one of them on the stereo backing tracks and then I've got something listenable to work with.

UncleBob58 Tue, 02/28/2006 - 13:30

Working on film projects I mostly use SoundSoap Pro and BNR on the location tracks. I also use Vocalign to line up the ADR.

Once clean-up of the location tracks is done I use Pitch'N'Time for creating sound FX and for making music fit that's just a little too long/short for the scene.

My favorite is Altiverb; it work great for creating realistic ambiences, matching ADR to location sound and blending in the Foley.

The BBE Sonic Maximizer is great for hyping short burst sound FX, gunshots, car crashes and the like.

UncleBob58 Wed, 03/01/2006 - 12:23

I use the BBE on really terrible location audio that needs help, although I prefer not to, as it doesn't have the subtlety of control I would like. As I said, I use it when creating sound FX, giving extreme beef to crashes, explosions, gunshots, getting "big" vehicle sounds, etc. with the low end, and extreme sizzle for breaking glass, "whooshes", etc. with the highs. I also use a bit of compression (sometimes a lot of compression) on these sounds to give them more apparent loudness so that I can pull them back into the mix.

As far as music goes I like the BBE on cymbals and "delicate" percussion such as tamborines, shakers and the like; the extra sizzle helps these types of sound cut through a dense mix a little better. I usually put it on an Aux send/return and blend it in as needed.

anonymous Wed, 03/01/2006 - 18:03

RemyRAD wrote: I mostly use TAMPEX but sometimes I use others.

Plug-in. Turn on. Pull out!
Ms. Remy Ann David

You're killing me.. I guess us guys have to take the girls jokes too, good one though.

I've been using
Ozone
Voxengo Polysquasher
Cubase 3.1 RoomWorks
Waves RComp
Antares AutoTune

I've yet to find a real decent chorus / modulation plugin though.

anonymous Thu, 03/02/2006 - 12:04

Mr-Nice wrote: I use whatever is needed whenever or whereever its needed!

I dont just start a project saying: "I cant wait to use compression or reverb on some of the tracks"

Anyone who does that is an idiot! :D

Case in point: Sometimes things sound good dry, rather than used with effects.

Ok....Aww c'mon man aren't we allowed to know what you're using? Or is it a secret? The question was, "what are your top favorite plugins" not "what are your top favorite plugins to use all the time on everything".

anonymous Thu, 03/02/2006 - 15:55

riffster wrote: Ok....Aww c'mon man aren't we allowed to know what you're using? Or is it a secret? The question was, "what are your top favorite plugins" not "what are your top favorite plugins to use all the time on everything".

LOL!

I am an equal opportunity employer who follows the strict guidelines of the bill of rights that all plugins are created equal!

OK let me stop being an a$$!

Honestly I really dont have a favorite plugin that I like to use. But for argument sake and if I had to choose one that I would favor over all it would have to be......

Multi-band compression (aka advanced dynamics).

RemyRAD Thu, 03/02/2006 - 22:29

OK, so I use Ik multimedia Tracks because I can make it sound like my 1176s and LA3s with my Neve equalizer's and all that other stuff. I don't like the directX and VST plug-in versions because I think they sound like crap! I use the standalone version and process after-the-fact, reimporting the tracks into my nonlinear audio editor. You have to know what you're doing to make it sound good.

Which way did they go?
Ms. Remy Ann David

It's amazing what beer can do for you

anonymous Fri, 03/03/2006 - 04:51

I also like antares stuff! Thier auto-tune sounds pretty amazing when I get it working :D

And I just got a hold of the antares filter. Its a damn friggin CPU hog though. But my machine is getting to be a bit older now so its time I let this old warhorse out to pasture. Overall the filter has a lot of shaping features.

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