Recently I have grown to love working with a click track. I pretend it is another instrument being played by another musician and groove with it. How's everyone else feeling about the click? David
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Any drummer who can't play with a click should be strung up by .
Any drummer who can't play with a click should be strung up by .......
Early in my career I did a session where I couldn't hear the click. The drummer was so tight it just became part of the kit. Ever since I have judged my drummers by how well they could stay with the click. In many of the bands we rehearsed with a click. It resolved many arguments about "you're rushing, you're dragging".
It for damn sure helps when you want to re-arrange a song after it has been recorded.
:p:
Unless it's all MIDI machines, using a click is the only way. S
Unless it's all MIDI machines, using a click is the only way. Should be lesson #1 for every aspiring drummer: Learn to play with a click. It calibrates the clock in your head and gives you the freedom to "lay back" or "push" a groove once you've got it licked.
Actually, make that every musician (not just every drummer).
I can't even start to explain how much the clock in my head benefitted from recording with click tracks ... and I am not a drummer.
MisterBlue.
Understanding that you can be "on time" but not in the pocket is
Understanding that you can be "on time" but not in the pocket is paramount to a good groove. Just as MisterBlue says, you can grease it up and "lay back", or get all up in the groove and "push" the pocket - all in the same tempo.
I am a drummer of 21 years, and I play with a metronome for recording, and I still struggle with feel changes in the same tempo. I can convey my rhythmic ideas easily with my "Free Time", but add a mteronome, and I have to work at it for a while, then it is right on.
I really think I get better everytime I record myself! I need to practice more with a metronome.
OT - Who makes a metronome with an obsurdly bright light? I'm a hard hitter, and I hate blasting the headphones to astronomical levels to hear the click - I'd prefer a bright strobe light (not a whimpy 1/8" LED). Any recommendations? Maybe something w/MIDI input to sync to external sequencers?
Later :cool:
Originally posted by Randyman...: I'm a hard hitter, and I h
Originally posted by Randyman...:
I'm a hard hitter, and I hate blasting the headphones to astronomical levels to hear the click - I'd prefer a bright strobe light
I just got extreme isolation headphones. I'm also a fairly hard hitter, but with these phones I find that the phones level can be a lot lower. I can still hear and feel the drums fine, but you may want to add a little overheads to the phone mix to hear the cymbals. Yes they are that muted! :c:
Kev is in another forum !! :eek: I've had an idea bouncin
Kev is in another forum !! :eek:
I've had an idea bouncing around in the back of my head for years but just can't find the right way to bring this to a DIY project.
A series of LED's and each LED is assigned to a midi note. You can then right a midi sequence in a way that suits your song and you eyes.
Arrange the LED physically to suit you.
difficult to explain.
X.........X
.X.......X.
..X.....X..
...X...X...
.....X.....
think of a conductor's baton.
I think this shape is better than the Russin Dragon and must be better than a single light.
Being a midi sequence gives you more scope to adjust the groove than just a midi clock chaser.
does any of this make sense ?
I use the click seldomly. I usually lay a basic drum track first
I use the click seldomly. I usually lay a basic drum track first (from a drum machine), but then again , I track a majority of my work as midi recording. It is though used to help me align a few stray tracks that otherwise would throw off the feel of the tune. Just my opinion.