In a 192Khz mastering session, we create by bouncing a 44.1 master file for CD. Besides the tweakhead SRC that Pro Tools offers, what other options would you suggest? Also, I'd like to hear preferences as to tracking/mixing in 176.4Khz versus 192Khz when we need to rely on PT's SRC if we eventually bounce/master to 44.1: 176.4 being a direct multiple of the destination sample rate seems to be preferrable. Is that so? Thanks,

Marco