I haven't had time to search this subject here, but what is the prefered standard to send mixes to a mastring studio on CDr?
I have a fostex writer and have lots of options. The mastering studio that I am using has suggested that I burn them at 88.2/24 bit.
Is there any advantage to this higher sample rate?
The reason I ask is because I sent them a sample disc and they can't read it fully. It only plays half way through.
I may resort to mixing all the tracks and taking my masters and the machine down to the studio and taking the digital out to their system.
Bear in mind that I am mixing from 24 track analog tape, so it is analog up until this point.
Having done some tests. I can't hear the difference from burning at 44.1/24 bit. and even the CDa standard sounds good to me.
Any advice?
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If you're comfortable at 44.1/24 (as you darn well should be) th
If you're comfortable at 44.1/24 (as you darn well should be) then go with that. If they want to upsample for anti-aliasing issues, they can.
44.1/24 is more than wonderful. 88.2 is fine also. If you have the slightest "distrust" in capturing/writing 88.2, 44.1 is absolutely fine.
Are you talking about sending the data as files or as CD audio (
Are you talking about sending the data as files or as CD audio (.cda)? You didn't say which mastering studio you are using, but the ones I deal with always take data as files. I zip the files, not for space reasons but to get an extra level of checksumming. I send them two copies burnt on different burners. For long pieces (symphonic movements etc) that generate files greater than 700MB I burn to data DVDs.