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figure 8

Figure-8 Mics, ribbons and 48V Phantom Power

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I'd read a few internet posts over the past few weeks about ribbons, and they pulled up the old advice about destroying them with phantom power, so I did a little Googling and also noted many newcomers to recording really didn't ever come across fig-8 pattern mics at all - so I've been doing a few videos and did one featuring just a bit of chat about fig-8 patterns and a little demo of how they actually sound when you move the mic - then I figured I'd plug up a ribbon in place of the condenser and see if it broke - as the usual tales of doom decree they do.

Figure 8

A microphone polar pattern whereby the capsule is most sensitive to sound sources from the front and back equally, but sounds from the sides of the microphone are rejected. Sometime referred to as bi-directional. Also describes certain antenna patterns, such as that of a dipole.

 

Micing techniques using Figure-8 Ribbons...

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I've got a pair of Royer R-121's on the way (to play with before I make the financial leap to a SF-1.) I've used Figure-8 (on a pair of Shure KSM44 LDC) in Blumlein, half a MS rig, and as a semi coincident pair.

I've got both choral and organ gigs this week where I can experiment a big (supplement the main rig.)

Blumlein figure 8 mic suggestions

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I am going to record a church choir and wanted to capture the ambiance of the room. I gathered from other posts that a Blumlein setup would work well for this, as I do not want a complicated setup with lots of mics placed all over the place. Does anybody have a recommendation for a good bi directional mic?

Some names that I have come across are

Neumann AK 20
Schoeps MK 8
AKG CK 94
Royer SF 12 and SF 24

How do these dedicated figure 8 mics compare to variable pattern mics such as the Neumann U 87 or KSM 44?

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