Hey all. I've been messing around lately with my iPhone, and a laptop, and tablet, and various Bluetooth speakers, and BT transmitters and receivers, to connect to my Scarlett solo interface, and powered computer speakers, and headphones.
I don't necessarily have a specific question, rather how do a verify some sort of standard gain stage, or whatever.
Ok so I've been learning a lot about this whole mixing game. I've done some mixes for some university projects and I'm starting to get somewhat of a hang of it. However, there's one thing that I can't quite decide on.
Here is one answer:
The amount of gain reduction is determined by ratio: a ratio of 4:1 means that if input level is 4 dB over the threshold, the output signal level is 1 dB over the threshold. The gain (level) has been reduced by 3 dB: Threshold = −10 dB.
Gain Reduction can change the tone of your tracks. Sometimes for the better, adding a certain vibe or pleasing character to them - some like to use a hint of it on the master bus for "glue"... and I don't see a problem with that - in small amounts, I think it an often be beneficial - but - it can also be detrimental, too.
Hello from Spain. I'm new in this forum and a newbie into recording,
I'm starting to record using my Mac, Logic and Roland Quad Capture. Mainly I record electric guitars signal and midi stream. I have not used microphones before but USB mics.
Particularity on the Pulse Techniques EQP 1A3 . Not interested in other clones.
I'm addicted to Pultec's this month and want to know how sweet the high-endis on the SS compared to the tube version?
I know you are looking for opinions on these or have some if you are here.
Hello everyone,
Can't seem to get a straight forward answer about gain staging with high-end gear . I'm using all transformer coupled preamps, API's and Dakings going into Apogee Symphony Converters. Up until then my recording peak levels into Cubase was anywhere from -20db to -12db on a full scale.
Hey guys, :)
Hi!
Yesterday I set up my studio for drumrecording and noticed something very strange...I put a sm57 on the snare about 1" from the skin and 1,5" in from the rI'm edge pointed towards the center of the drum. I also put a mb2k from Audio-Technica under the snare about 2" from the skin but more straight angled on the center.
I heard that its better to carve a strong/ louder sound than it is to boost a weaker sound--(i know i'm probly not using the technical terms correctly but I think you get what I'm trying to say)
Because of this, I would think that having gain a little too high is better than too low? :cool:
