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Submitted by JayTerrance on Tue, 12/05/2017 - 11:20

Lately I have been listening to the Santana albums recorded in the late 70's. Particularly the albums Festival, Moonflower, Inner Secrets, and Marathon. I was wondering if any of the members on here had worked with any of those recording sessions and can provide any information as to how they were tracked and mixed.

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Submitted by DonnyThompson on Mon, 03/16/2015 - 00:42

With the advent of classic gain reduction units in software/ plugin form, I thought I would start a series of threads explaining how these original classic units worked - kind of a "what makes them tick" series of threads, for those who are using emulations from companies like

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Samplitude
Submitted by DonnyThompson on Sun, 03/15/2015 - 05:41

With the advent of classic gain reduction units in software/ plugin form, I thought I would start a series of threads explaining how these original classic units worked - kind of a "what makes them tick" series of threads, for those who are using emulations from companies like UAD, T-Racks/IK Multimedia, Waves, Bomb Factory, Steinberg, etc.

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Submitted by Crosbychris on Thu, 05/02/2013 - 08:01

hi.

I am a college student in the uk, writing a dissertation about the changes and developments in recording media and devices through out history, from the invention of the phonograph to the present day. I have written a small survey on this, and it would be greatly appreciated if anyone would take the time to complete it.
The link is below.
Thanks
Chris.

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Submitted by anonymous on Sat, 02/11/2012 - 20:34

An Oral History by Malcolm Addey

For the first episode of Oral Studio History, we were fortunate enough to get Malcolm Addey to sit down and talk with us. We recorded a conversation that lasted almost two and a half hours in Studio B of Avatar Studios.