Hey I'm trying to put in some work as an intern at a big studio this summer..
But i don't really have any relevant work experience... I've been making music since i can remember but nothing to really put down.. only a couple security jobs, retail jobs, and community college lol..
But i really need this internship.

::salutes::

I am in the process of applying for a summer internship with a recording studio. I was hoping that you experienced folks could lend me some advice with my application.

I'm looking for internship oppurtunities in the Dalas area. My goals are lofty. I want to be able to produce the biggest names in my own world class studio. To get there, I'm trying to develop my skill set in as broad a way as possible; meaning that I'm trying to learn as much about the business and industry aspects as the technical/engineering aspects.

I am beginning to research studios and I have no idea what to include in my resume. Please help me out in this respect!
Thanks
-Ashton

Do any pro or semi-pro recording or mastering studios do summer internships for college kids?

I'll be nineteen this summer, and I've always wanted to get a taste of how the real guys do things.

I'm also an electrial engineering major looking to design audio equipment in the future, so it'd be nice to get experience on how all the outboard racks work.

Anyone know of a studio internship in NYC? I am a keyboardist/songwriter looking for an internship to learn Pro Tools recording and editing. I basically just want to do SOMETHING in a studio to get a taste of the music biz. I'm into pop rock soul. I have all sorts of administrative qualifications and could bring a lot to table.

Ok, I am 18 years old and just started getting into recording in December 2003. I don't know if this is what I want to do with my life, but so far I really enjoy all the aspects of recording.

Folks-

As my own boss and self-employed, I usually operate alone on gigs. Though I generally love it, one of the problems with this lifestyle is that I miss the collegiate atmosphere that I once had working at a studio as a second/ junior engineer. There, I learned much every day because my work was being watched over by more senior engineers.

Every now and again we take someone into our shop and train them. Our current guy is leaving at the end of this week for a rather nice paying gig... we wish him well, and now it's time for some fresh meat... this is the first time we've mentioned it on "Recording.Org" so we'll see how it goes.

Hi,