Monitoring Delay Cubase 10 Pro (Live Sound) Sucky Components. HELP!
So I use Cubase 10 pro to livestream our churches services. So the way I have it set up is the board we use (si expression 3) sends signal through usb to Cubase 10 on my laptop.
So I use Cubase 10 pro to livestream our churches services. So the way I have it set up is the board we use (si expression 3) sends signal through usb to Cubase 10 on my laptop.
Linea Research have released the latest and most powerful member of their 44M family: the 44M20. This has the mind-boggling specs of four 5KW power amplifiers in one 2U 13Kg chassis, designed for touring companies where subs have to be powered and fed independently from the mids/tops.
Here's an interesting article from PSW about mixing for sound reinforcement of a live performance.
Hello experts, jarjar reporting for duty.
¿Can you please recommend me some good books with "hands on" information about how to implement a live sound event?
Hello experts,
Jarjar here. Misa confused about Subs causing rumble on the stage.
I worked as stage hand to a concert last week. They had problems with this rumbling movement caused by the subs. The subs were positioned in front of the stage, piled in 6 pairs, so there were 12 subs in total. But the vibration the subs caused was annoying for the musicians on stage.
Starting in January, I am going to be going into schools with one other guy and putting on presentations. We need a small, portable system to drag around with us that is easy to set up and strike. We need two inputs for each of our headsets, two more for each of our guitars, one for playing music, and one for miscellaneous. Here is my idea. I want to use a unit like this:
I need to buy a new pair of monitoring headphones and was just wondering what people on here use for live sound monitoring?
Some of the specifications I am looking for are closed back, encapsulating the ear completely, comfortable headband, single lead from one side and neutral response.
You know how one "sensible" purchase can lead to another, which can lead to another... Well I might be getting started on one of those spirals. One of the bands I'm in is probably going to be playing a lot of local gigs in small venues where we have to provide the sound support and mix from the stage.
Hey everyone,
Doing sound for 4 bands, our first gig...Here's what I have (or have coming) for gear: (All Yorkville, being a Canuck)
AP812 Powered Mixer A, B Amps 450 watts into 4 ohms
Pr. YX15's 300 Watts pgm Plan to use these as FOH
Pr. E12's or PL10's for stage monitors (the E12's are probably the best spkr I have)
4 stands
LS200 powered sub