master clock

Man, Antelope Audio is on Fire!





Reverb Warning!



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This looks pretty nice:



 



 



big image

http://www.hummingbirdmedia.com/data/edithtml/Images/eclipse_silver_back.jpg



All in a Two Space Rack Unit Called Eclipse 384

Hellos to everybody!



I'm currently building a new room capable of 16 input rec and 64out playback with Nuendo 4.



So I'm trying to figure out the most cost effective hi-end converter/master clock combo available with the best performance/price ratio.

I was originally looking into purchasing a Big Ben or Antelope Isochrone, but I now have an opportunity to buy a Lucid SSG192 for half the price (used). I think I'm gonna go for it, but is there anything I should know first?

May be a silly question but the worst question is the one that is not asked



Would you take a RME ADi 2 / Hammerfall with a Master clock ( ex Big Ben ) Over a Rosetta 200 with the firewire option



1. I need no more than 2 inputs at a time

2. Already have a Sebatron , looking to get a good solid state pre

I posted this in recforums with little feedback:



When I purchased the 800, everybody said it was hands down a better clock. So I have the 800 as master, with a cable to the

Lucid Genx6 which distributes to everything else in the studio.



This seems a bit kludgey.

Right now I don't have any issues pertaining to clocking, but I'd like to find out if one could use the "word clock out" connection (on the MTP A/V) to sync and stablize other devices within a DAW? Such as multiple soundcards, digital mixers, samplers or anything that accepts word clock. Or is the Digital Time Piece more suited for this task?

Well...it's official...Apogee has created a clock box and let me tell you...IT'S A BEAUTY TOO!

Check it out.

http://www.apogeedi…"]Big Ben[/]="http://www.apogeedi…"]Big Ben[/]