We've been working on another video - the idea to talk about recording saxophones, but it became obvious that many people have never looked at saxophones that hard, so the video stretched a bit - the first section looks at how saxes actually work and how you should not do certain things, and also the kind of detective work you should do when you have somebody with a sax that needs reco
I have a sax quartet and need to record our performances for some QC. The music we play are jazz standards and the arrangements have a lot going on in the inner voices. We need to be able to listen to our performances to check out how we balance on set vs in rehearsal. Our set up is usually in a V. I am unable to place a mic stand in front of the group past the front music stands.
Hello,
I am looking for advice on a decent setup for recording saxophones a Mic and a Pre-Amp. Making a call to one of the big online pro-audio companies gives me different advice for every engineer I talk with and the last seemed only to only recommend choices based on the high-endof my "budget".
Hi everybody I've got about $400.00 to spend on a mic that will be used primarily for Micing sax and flute. I was thinking about possibly picking up an Electro-Voice RE20 for the job based on some things I have read in the past about them.
I recently had a ska-blend band in to do rhythm tracking, and will be overdubbing horns next week.
For the 'bone, I'm pretty much settled on using my Fathead.
The other horn is a sax... which has been a bit of a bugaboo for me.
I'll begin by echoing some thoughts I found while searching this subject.
Basically I am in a band, but lately indulge in abit of home recording to broaden my ideas, atm I have a little piece recorded, with some simple piano chords, and me playing guitar, there are spaces in between the guitar playing and I would like these if possible to be filled by a saxophone, if not a trumpet would be fine or even a violin would be interesting, if you are up for this little proj
I seem to get the best recorded saxophone sound by placing the microphone in line with the bell about a foot or two away. The lowest note on the saxophone always overloads the mic, however. I can help alleviate the problem by riding the fader, but I'd rather not. If I move the mic to the side, I lose a lot of sound quality.
admin edit: (url examples of this post are broken but left the content)
Alright, so here's my small dilemma...
I am going to be recording some sax coming up here pretty soon for a rock song. The player is incredible, in fact he has a doctorate's in music (he is the band director at the local college as well), so I really don't want to screw this one up!
