I have a question about converting from 24/96 down to 16/44.1:

Is there that much of a difference. And since I am going to CD should I bother?

Can someone help me understand. Which matters most?
The digital to analog converters or the bit resolution?
Mainly, going to CD or even CD-R.

How do you know that you are really recording at 24 bits? :roll:

Is there a way to check it?

Yiannis

I'm new here, so I don't know if you have already discussed about this before... probably you have! I'm from Argentina so excuse my awkard english.

I've read up about taking 24bit audio down to 16bit without loosing the sonic clarity of the original composision. My DAW software has the Apogee UV-22 algorithm included. Is this used or is there some other method? Or is this process considered as truncating or dithering? :w:

The: Direct Pro LX6 PA9

http://www.musiciansfriend.com/srs7/sid=030703114247024174100009363432/g=rec/search/detail/base_id/55330

Hi friends!
Seems this is my first post on this forum page..

I use PT Mix 5.1.1 with 2 ADAT bridges light piped to an 02R, mostly at 44.1k/24 bits. I know this is weird and hard to quantize, but assuming two different situations that I present below.. what are the advantages in each case, in terms of percentage:

a) PT MIX x PT HD both at 44.1k/24 bits

I have been searching for a "nicer" Mic Pre and compressor to use as a front end to the Digi 001. I would like to have a discrete solid state mic preamp with very little coloration to be used on a variety of source material. I have been very impressed by the FMR Audio RNC compressor and have heard a Mic Pre is in the works but I have no idea when that might be available.

https://www.behring…

New SRC2496 Sample Rate/Format Converter from Behringer
January 22, 2002