Whenever my wife records her voice, it really sets off the 250k range (see attachment) of mudiness. Is there anything we can do to reduce this? I have to go into my Para EQ and reduce it, though it does take away from the tone some.
Apologies if this has been covered elsewhere. I have read quite a bit but want to keep it simple. I'm looking to purchase a pair of mics to record my upright piano in my living room. The living room has a fairly low ceiling and doesn't sound great, but ok. A engineer friend of mine suggested a pair of Neumann KM 184's. After some reading I feel like these might be too bright/harsh? I've also been suggested AKG C414's. And just now started looking at Schoeps CMC-64's which I'm interested in. DPA 4011's have also come up. I want a detailed solo piano sound.
All my music of the last ten years falls into chillout, or classical really. Rarely voices, apart from the show tracks and stuff like that - but the stuff I put out there is slowish mainly, and orchestral or synthetic in nature. My guitars get used live with the band, but my own recordings are pretty old-fashioned. I'm happy with this.
I'm from the small country of Bulgaria and I need help from experts like you with identifying 2 vintage tube microphones that I've acquired recently.
Bought them cheap for $13 each. I believe these are Tesla made since there was a 3rd different microphone in the lot and its box has the same ornaments and finish as the ones I am interested about. I've disassembled both and they both have 5703WA miniature tube inside.
I am attaching pictures below.
Thanks in advance!
Some time ago, I sold my Cranesong Avocet (which was awesome). I was doing less and less music work and more and more electronics, so it was time to simplify. I built a very simple completely passive monitor controller with just the bare minimum features. It was just for me, so it was not pretty but functional. It has a stepped attenuator, polarity, L& R mutes and Mono.
I've already read all the threads but want to start another to address my specific questions. I am using a uh7000 and am keeping my st69 tube.
I've already owned:
-c214 (liked it)
-ksm42 (sometimes I liked it but wasn't my fav)
-at4047 (didn't really like it that much)
-st69 (sometimes I LOVE it sometimes not as much)
Okay so I'm looking for one of these and am apprehensive hence the thread you see here:
Hope this is the right place.
So for five years I have had a successful mix minus set up like this:
Phone call comes into mixer on L/R channels on mixer (Channels 7/8), I have the cable going back to the phone line from the SEND output so the caller can hear me, with the correct control knob turned down so they don't hear themselves - is that the best way to do it?
I've done those 2 videos primarly for fun.. Interesting to compare hardware and plugins..
Let me know what you think !
Part 1 :
Part 2 :