I would get a good mic and a good an OK pre, and compress and EQ in a DAW.

There is no need for external compression using 24 bit recorders except as an effect. If you are a beginner you are better off compressing inside the dAW so you can undo what you mess up.

I never use external compressors anymore.

YMMV

Steve

I see.

Is this possible with other software besides ProTools? I may use Cool Edit 2000, because there is only one track (me) and it's capable of making a digital recording for under $50. Can I do the EQ and compression on this software?

I DO need to make sure that the signal going in is a good one, and I want a little compression to give the copy a little punch, as if it had gone through a broadcast chain.

What do you recommend as the mic pre?

If the software (not purchased yet) won't do the compression and EQ like I want, would I be better off with a quality voice strip or spending a little less on discrete components?

Any ideas?

Isn't there still a free version of Pro Tools at their site? I'm a long time Pro tools user and I just hate getting into these Pro Tools vs. (name yer poison editor) arguments. Having said that...
you might be able to do more with the PT free version than Cool Edit in the long haul.
Please don't attack...
ejm

Hey TSeve, which are your recent choices for single and multiband compressors? Compressor banks, Sony?

I use a Penta, it sounds great on most stuff, including vocal. No EQ, though.

Any recommendations on a good stand-alone mic pre? If I don't find a Symetrix 528, and I don't cough up the $600 for the Focusrite, what do you recommend? Is the Really Nice Pre the best bet, or is there a better choice?