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are you guys using an external recording device, such as a mixdown high quality CD burner or mastering hard drive based device, or just sending the output back into your computer to be recorded to a new stereo track?

i use an RMEinterface, which would be suitable for running the stereo mix back into my software for the final bounce, but didn't know if there was a better option to compliment the quality of mixing down via an analog summing setup.

Comments

RemyRAD Fri, 02/19/2010 - 14:30

Good question. I mix mostly on old analog desk. When I mix in the box, it is all digitally summed. Sometimes when I want THAT sound, even if the project was all in the box, I will feed it through the old Neve and then back in again. This of course requires a digital to analog decode with a reciprocal secondary analog to digital coding again. And for those who still have a old reel to reel recorders sitting around, one might want to take their stereo track to print to the analog stereo deck. It should be in tape monitor output which should then be looped back into your analog inputs on your digital audio interface or digital stereo recorder. The noise from the analog can be dealt with quite easily in the software while enjoying the nonlinear advantages of tape saturation. Some folks on the higher level do something similar to this. Some folks are still mixing to 1/2 inch stereo analog at 30 IPS such as on an Ampex ATR 102 and then back to digital for mastering. But that's a lot of work and most of us are lazy. I know I am.

Lazy bitch
Mx. Remy Ann David

planet10 Wed, 04/21/2010 - 08:08

bobbo
this is what i do for my mixes. from Nuendo thru SSL converters into my Neve console, apply outboard gear on inserts and aux's, mix it, love it, talk to it, and go back in thru the SSL converters in to Nuendo as a stereo 2track .wav file for my mastering engineer. so go for it that way my friend you'll be glad you did and so will the clients.

@Remy .... you are funny, i wish i could meet you!!

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