Any suggestions? The NS10 was, to me, a horribe sounding speaker that did an excellant job for mid range mixing. But they dont make em any more. Has anyone got any suggestion as a replacement. So far I have heard of the new Yamaha MSP5 and the Triple P Pyramid. Any others worth mentioning?
Cheers!
Paul Blenn
Comments
I haven't found anything to replace ns-10's. They are still avai
I haven't found anything to replace ns-10's. They are still available on Ebay, although get ready to spend big $$$. Replacement parts are still available also. I just bought 3 sets of woofer and tweeters so that I'll be set for quite some time.
My other reference monitor? A $29.00 Panasonic boombox.
Chris
I recently went on a listening expedition to see what was happen
I recently went on a listening expedition to see what was happening in the world of nearfields, and to see what might augment my NS-10s...
I was a little bit apalled by what I heard: Lots of powered two way systems that had hyped one-note bass and didn't image at all.
I decided to go in the other direction. I put together two different systems, each using a single fostex 'full-range' driver. One a 5"(FE127) and one 6.5" (FE166). These are largely flat from 70-20k on the 5" system and 50-22k on the 6.5" system. The larger driver beams a bit in the HF as you would expect. But for mixing this is a good thing. The imaging is great and there is not a trace of 'phaseyness' from console reflections, or crossover (there is no crossover!). After mixing several projects on these I went back to my NS-10s for a moment. Now, I love NS-10s, but for the first time I noticed the phase hole in the crossover, and a 'comb-filtery' vagueness of the center image.
I find the full range systems to be a valuable mixing tool, if you think the snare is a little on top of the vocal, it is. On many of the popular powered 2-way systems there is a phase/frequency hole right where the attack of the snare is, causing the producer to ask you to turn it up too much! The proof came when I took a project to Sterling for mastering. The engineer was exstatic about the balances -particularly in the midrange- noting that everyone is overly concerned with the bottom end and the top end, which he felt were easily dealt with in mastering.
-CZ
KRK V6II - $700/pr.
KRK V6II - $700/pr.