Actually, both of those items would be pretty far down my list.

Pre - (Bearing in mind you said versatile)

Summit - TPA 200 B

Mic (again, versatility in mind)

Gefell UM900

MIC : Soundelux U195

I wouldn't buy a U87 unless you're really sure it's the mic for you. Many people dislike this mic, and you could be one of them.

I still like playing with mine though :wink:

John

Mic: Microtech Gefell UM900, or UMT800
Pre: John Hardy M-2

I've never tried this one, so I can't recommend it BUT if I were in your position, I'd be very tempted to try the Soundelux E-250. Looks like a fascinating microphone. Again, I have never had the opportunity to try one, so I'm just suggesting you take a look.

Some of the Brauners are awe-inspiring, although they don't seem to suit everyone. Haven't heard the Phantom series.

John

Of course, it all depends of what you are after...if this is a "desert island" type of question, I would have to say:

- API 512 (or the OSA clone) for pre
- EV RE 15/16 for mic

If you can't get great results with this pair, regardless of what you are recording instrument/genre wise, you will never be able to get it....

My opinion only.

my little dream path for stereo miking my acoustic guitar would be...

mics:CharterOak SA538
Neumann Km187

pre: Cranesong Flamingo

interface: Universal Audio 2192 A/D

(total approx.: $10,500 US) :shock:

let me know if you can think of something better...